id: 164586 accession number: 2006.113 share license status: Copyrighted url: https://clevelandart.org/art/2006.113 updated: 2024-03-26 02:00:59.818000 Vollard Suite: Faun Revealing a Sleeping Woman, 1936. Pablo Picasso (Spanish, 1881–1973). Etching and aquatint; sheet: 34.4 x 45.2 cm (13 9/16 x 17 13/16 in.); platemark: 31.7 x 41.9 cm (12 1/2 x 16 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 2006.113 © Estate of Pablo Picasso / Artists Rights Society (ARS), New York title: Vollard Suite: Faun Revealing a Sleeping Woman title in original language: series: series in original language: creation date: 1936 creation date earliest: 1936 creation date latest: 1936 current location: creditline: Leonard C. Hanna, Jr. Fund copyright: © Estate of Pablo Picasso / Artists Rights Society (ARS), New York --- culture: Spain, 20th century technique: etching and aquatint department: Prints collection: PR - Etching type: Print find spot: catalogue raisonne: Bloch 230; Baer 609, state VI, B, a/VI, B, d --- CREATORS * Pablo Picasso (Spanish, 1881–1973) - artist Pablo Ruiz Picasso (1881-1973), the most prolific and influential artist of the 20th century, shifted the emphasis of art from its traditional concern with beauty toward radical innovation. The son of an art teacher, Picasso demonstrated remarkable talents as a child and entered the royal art academy in Madrid at age sixteen. Less than a year later, he abandoned his studies and soon joined several avant-garde artist and anarchist groups in Barcelona and Paris. After passing through a succession of stylistic periods, most notably the Blue (1901-1904) and Rose (1904-1906) Periods, he collaborated with Georges Braque (1882-1963) in 1908 to invent Cubism, a revolutionary method of restructuring pictorial space. Picasso remained active until his death in 1973. Although his art still appears radical, many of his works are over one hundred years old. Cubism, perhaps the most important development in 20th-century art, was invented around 1908 by Pablo Picasso (1881-1973) and Georges Braque (1882-1963). The most revolutionary aspect of the style was not its obvious emphasis on geometric form; rather, it was the introduction of a radically new approach to configuring pictorial space. Since the Renaissance, artists had used various methods to create the illusion of distant space receding behind the canvas surface. The Cubists rejected that idea and collapsed space by compressing foreground, middle ground, and background into a continuous web of overlapping, intersecting planes. During the 1910s, other painters and sculptors embraced or adapted Cubism to their own ends. This revolutionary approach inspired a host of related movements and continues to influence the visual language of artists, architects, and designers throughout the world. --- measurements: Sheet: 34.4 x 45.2 cm (13 9/16 x 17 13/16 in.); Platemark: 31.7 x 41.9 cm (12 1/2 x 16 1/2 in.) state of the work: edition of the work: support materials: description: probably vergé de Montval paper with Vollard watermark watermarks: inscriptions: --- CURRENT EXHIBITIONS title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art opening date: 2006-05-27T00:00:00 Monet to Dalí: Modern Masters from the Cleveland Museum of Art. Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008). --- LEGACY EXHIBITIONS * {'description': 'CMA (organizer). Seoul Arts Center, Seoul, Korea: Dec. 18, 2006 - March 31, 2007; Seoul Olympic Museum of Art, Seoul, Korea: Apr. 7 - May 20, 2007: "Modern Masters from the Cleveland Museum of Art"', 'opening_date': '2007-04-07T00:00:00'} --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. page number: Mentioned and reproduced: P. 358; Reproduced: P. 344-345 url: --- IMAGES