id:			164650
accession number:	2006.146.a
share license status:	CC0
url:			https://clevelandart.org/art/2006.146.a
updated:		2019-11-18 12:20:36.193000

Bahram Visits the White Domed Pavilion (recto); part of Khamsa of Nizami, Haft Paykar [Seven Portraits] Manuscript, c. 1560-1580. Iran, Shiraz, Safavid period, 16th century. Opaque watercolor, ink and gold on paper; image: 26.8 x 17.5 cm (10 9/16 x 6 7/8 in.); overall: 30.7 x 19.7 cm (12 1/16 x 7 3/4 in.). The Cleveland Museum of Art, Gift of William Kelly Simpson in memory of his wife Marilyn M. Simpson and her grandparents Mr. and Mrs. John D. Rockefeller, Jr. 2006.146.a

title:				Bahram Visits the White Domed Pavilion (recto); part of Khamsa of Nizami, Haft Paykar [Seven Portraits] Manuscript
title in original language:	
series:				
series in original language:	
creation date:			c. 1560-1580
creation date earliest:		1560
creation date latest:		1580
current location:		
creditline:			Gift of William Kelly Simpson in memory of his wife Marilyn M. Simpson and her grandparents Mr. and Mrs. John D. Rockefeller, Jr.
copyright:			

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culture:	Iran, Shiraz, Safavid period, 16th century
technique:	opaque watercolor, ink and gold on paper
department:	Islamic Art
collection:	Islamic Art
type:		Manuscript
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Image: 26.8 x 17.5 cm (10 9/16 x 6 7/8 in.); Overall: 30.7 x 19.7 cm (12 1/16 x 7 3/4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	Script: Nasta'liq
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

* Main Gallery Rotation (gallery 116): November 14 2012 - December 9, 2013.<br>Main gallery rotation (gallery 116): December 16, 2015 -

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PROVENANCE

	William Kelly Simpson [1928-2017], ?-2006, given to the Cleveland Museum of Art
	date: ?-2006
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH, 2006-present
	date: 2006-
	footnotes: 	
	citations: 	


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fun fact: 


digital description: 


wall description: 
In this fine later depiction of a favorite story from the Khamsa, Shah Bahram Gur visits one of his wives in the white pavilion. After a day of lovemaking, she recounts a tale with dancing fairies, foreshadowed by the girl dancing to music in the foreground of the painting.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2006.146.a/2006.146.a_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2006.146.a/2006.146.a_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2006.146.a/2006.146.a_full.tif