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"tombstone": "Ecce Homo. Christ Presented to the People, 1655. Rembrandt van Rijn (Dutch, 1606\u20131669). Drypoint; sheet: 36.1 x 45.6 cm (14 3/16 x 17 15/16 in.); platemark: 35.9 x 45.6 cm (14 1/8 x 17 15/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 2006.155",
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"title": "Ecce Homo. Christ Presented to the People",
"creation_date": "1655",
"creation_date_earliest": 1655,
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"technique": "drypoint",
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"department": "Prints",
"collection": "PR - Drypoint",
"type": "Print",
"measurements": "Sheet: 36.1 x 45.6 cm (14 3/16 x 17 15/16 in.); Platemark: 35.9 x 45.6 cm (14 1/8 x 17 15/16 in.)",
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"inscription": "Recto, upper left, in graphite: 79; lower left: FPS. Verso, in purple ink: Prince of Liechtenstein or Colnaghi for Liechtenstein stamp; in black ink, Zinser stamp, castle tower (rook chess piece); along side, in graphite: No. 36; along top: (illegible) name; upper left, in graphite: No 79 P(?) G (?) La Second",
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"id": 204986,
"title": "Treasures on Paper from the Collection of the Cleveland Museum of Art",
"description": "Treasures on Paper from the Collection of the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 9-June 8, 2014).",
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"description": "Rembrandt was an experimental and innovative printmaker and the first to execute works in pure drypoint on this monumental scale. Drypoint produces blurred lines and rich, velvety shadows, but these effects are lost as the plate wears. A limited number of rich impressions exist like this fine example of the fifth state, which demonstrates how Rembrandt redefined the expressive potential of printmaking. Rembrandt\u2019s habit of drawing from life made him a keen observer of behavior and body language, endowing his biblical scenes with a human dimension and veracity not seen previously. The throng in Christ Presented to the People represents a cross section of the population and reflects the pictorial tradition that common humanity condemned Christ. Large areas of the imposing building, symbolizing the crushing weight and authority of the state, remain unworked so that blank white paper seems radiant in contrast to rich black shadows.",
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"citation": "Glaubinger, Jane, \"Rembrandt's Printed Masterpieces\", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 47 no. 03, March 2007",
"page_number": "Mentioned & reproduced: p. 4",
"url": "https://archive.org/details/CMAMM2007-03/page/4/"
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"citation": "Watkins, Catherine Bailey. Rembrandt's 1654 Life of Christ Prints: Experimentation, Tradition, and the Question of Series. 2011.",
"page_number": "Reproduced: P. 177, fig. 10",
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