{
    "data": {
        "id": 165145,
        "accession_number": "2007.147",
        "share_license_status": "Copyrighted",
        "tombstone": "Mannequin, c. 1928. El Lissitzky (Russian, 1890\u20131941). Gelatin silver print from a photogram negative; image: 29.4 x 23.5 cm (11 9/16 x 9 1/4 in.); paper: 29.5 x 25.6 cm (11 5/8 x 10 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2007.147. \u00a9 2013 Artists Rights Society (ARS), New York",
        "current_location": null,
        "title": "Mannequin",
        "creation_date": "c. 1928",
        "creation_date_earliest": 1923,
        "creation_date_latest": 1933,
        "artists_tags": [
            "Jewish artists",
            "male"
        ],
        "culture": [
            "Russia"
        ],
        "technique": "gelatin silver print from a photogram negative",
        "support_materials": [],
        "department": "Photography",
        "collection": "PH - Russian 20th Century",
        "type": "Photograph",
        "measurements": "Image: 29.4 x 23.5 cm (11 9/16 x 9 1/4 in.); Paper: 29.5 x 25.6 cm (11 5/8 x 10 1/16 in.)",
        "dimensions": {
            "image": {
                "height": 0.294,
                "height_inch": 11,
                "height_inch_fraction": 0.5625,
                "width": 0.235,
                "width_inch": 9,
                "width_inch_fraction": 0.25
            },
            "paper": {
                "height": 0.295,
                "height_inch": 11,
                "height_inch_fraction": 0.625,
                "width": 0.256,
                "width_inch": 10,
                "width_inch_fraction": 0.0625
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": "\u00a9 2013 Artists Rights Society (ARS), New York",
        "inscriptions": [
            {
                "inscription": "written in pencil on verso: \"166 (in a circle)/ artist's printing notes\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "Notations on verso of print, initaled by Sophie Lissitsky-K\u00fcppers",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 335732,
                    "title": "El Lissitsky: Experiments in Photography",
                    "description": "<i>El Lissitsky: Experiments in Photography</i>. Houk Friedman (April 17-June 6, 1991).",
                    "opening_date": "1991-04-17T04:00:00"
                },
                {
                    "id": 335735,
                    "title": "The Great Utopia: The Russian and Soviet Avant-Garde",
                    "description": "<i>The Great Utopia: The Russian and Soviet Avant-Garde</i>. Schirn Kunsthalle Frankfurt, Germany (March 1-May 10, 1992); Stedelijk Museum, Amsterdam (June 5-August 23, 1992); Solomon R. Guggenheim Museum (September 25, 1992-January 3, 1993).",
                    "opening_date": "1992-03-01T05:00:00"
                },
                {
                    "id": 203169,
                    "title": "Forbidden Games: Surrealist and Modernist Photography",
                    "description": "<i>Forbidden Games: Surrealist and Modernist Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 19, 2014-January 11, 2015).",
                    "opening_date": "2014-10-19T00:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "The artist's family, Moscow",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": 1
            },
            {
                "description": "(Houk Friedman, New York, NY)",
                "citations": [],
                "footnotes": [],
                "date": "early 1990s",
                "sortorder": 2
            },
            {
                "description": "Private Collection, New York, NY",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": 3
            },
            {
                "description": "Bernd K\u00fcnne, Hanover, Germany",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": 4
            },
            {
                "description": "(Phillips de Pury & Company, New York, NY, Oct. 14, 2004, no. 131)",
                "citations": [],
                "footnotes": [],
                "date": "October 14, 2004",
                "sortorder": 5
            },
            {
                "description": "David Raymond [b.1979], New York, NY",
                "citations": [],
                "footnotes": [],
                "date": "2004-2007",
                "sortorder": 6
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "2007-",
                "sortorder": 7
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "A figure peers through a magnifying glass at a negative of an image of Paris taken by Lissitzky in 1928. The artist\u2019s interest in the photogram and negative images may relate to his experience of being X-rayed for tuberculosis in 1924. Later that decade, Lissitzky experimented extensively with positive and negative versions of photograms. A photogram provides a negative image of the objects placed on the sensitized paper. Using the photogram as a negative creates a positive print. Printing a mix of positive and negative images on the same sheet of paper allowed Lissitzky to add a sense of three dimensionality to the silhouettes.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60763747"
            ],
            "internet_archive": []
        },
        "citations": [
            {
                "citation": "Cleveland Museum of Art, Tom E. Hinson, Ian Walker, and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography : the David Raymond Collection in the Cleveland Museum of Art. 2014.",
                "page_number": "Reproduced: p. 88; mentioned p. 89; reproduced and mentioned: p. 220.",
                "url": null
            },
            {
                "citation": "Schirn Kunsthalle Frankfurt, Amsterdam (Netherlands), and Solomon R. Guggenheim Museum. The Great Utopia: The Russian and Soviet Avant-Garde, 1915-1932 : Solomon R. Guggenheim Museum, State Tret\u02b9iakov Gallery, State Russian Museum, Schirn Kunsthalle Frankfurt. New York, N.Y.: Guggenheim Museum, 1992.",
                "page_number": "Reproduced: p. 434, no. 472; mentioned: pp. 771.",
                "url": null
            },
            {
                "citation": "Lissitzky, El, and Sophie Lissitzky-Ku\u0308ppers. El Lissitzky; Life, Letters, Texts. Greenwich, Conn: New York Graphic Society, 1968.",
                "page_number": "Reproduced: p. 263, no. 166; mentioned: pp. 401.",
                "url": null
            },
            {
                "citation": "Lissitzky, El, and Margarita Tupitsyn. El Lissitzky: Experiments in Photography : [Exhibition] April 17 to June 1, 1991. New York, N.Y.: Houk Friedman, 1991.",
                "page_number": "Mentioned: p. 12; reproduced: p. 13.",
                "url": null
            },
            {
                "citation": "Hinson, Tom E., \"Photo Surrealism\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 48 no. 3, March 2008",
                "page_number": "8Mentioned & reproduced: p. 8",
                "url": "https://archive.org/details/CMAMM2008-03/page/8/"
            }
        ],
        "url": "https://clevelandart.org/art/2007.147",
        "images": {},
        "alternate_images": [],
        "creditline": "John L. Severance Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 165145,
        "creators": [
            {
                "id": 28140,
                "description": "El Lissitzky (Russian, 1890\u20131941)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1890",
                "death_year": "1941",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2007-02-26T00:00:00",
        "sortable_date": 1923,
        "date_added_to_oa": null,
        "date_text": "c. 1928",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-01 06:52:43.997000"
    }
}