id: 165187 accession number: 2007.181 share license status: CC0 url: https://clevelandart.org/art/2007.181 updated: 2023-03-20 10:12:18.735000 Headdress, 1900s. Africa, Central Africa, Cameroon, Grassfields region, Bamileke-style maker. African gray parrot feathers, wood, plant fiber, probably cotton, string, and colorant; diameter: 90 cm (35 7/16 in.). The Cleveland Museum of Art, Sundry Purchase Fund 2007.181 title: Headdress title in original language: series: series in original language: creation date: 1900s creation date earliest: 1900 creation date latest: 1950 current location: creditline: Sundry Purchase Fund copyright: --- culture: Africa, Central Africa, Cameroon, Grassfields region, Bamileke-style maker technique: African gray parrot feathers, wood, plant fiber, probably cotton, string, and colorant department: African Art collection: African Art type: Garment find spot: catalogue raisonne: --- CREATORS --- measurements: Diameter: 90 cm (35 7/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: African art rotation opening date: 2010-05-17T04:00:00 African art rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 17, 2010-June 20, 2011). title: African art rotation opening date: 2014-10-20T04:00:00 African art rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 20, 2014-October 19, 2015). --- LEGACY EXHIBITIONS * Main Gallery Rotation (gallery 108): May 17, 2010 - June 20, 2011.

Main Gallery Rotation (gallery 108): October 20, 2014 - --- PROVENANCE (Jacques Hautelet, La Jolla, CA, sold to the Cleveland Museum of Art) date: 2007 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 2007- footnotes: citations: --- fun fact: This headdress has an ingenious built-in storage system: it can be flipped inside out to encase the feathers within a rigid woven structure, protecting them during storage or travel. digital description: wall description: Hundreds of red tail feathers from the grey parrot (Psittacus erithacus) decorate this disk-shaped headdress. Only the king, some high-ranking individuals, and members of the all-male elephant society—known in different languages as Kuosi, Nekang, or Kem-ndze—wore this prestigious headgear at ceremonies and funerals. Typically, the headdress was worn pushed slightly back from the hairline. When used by members of the elephant society, it was accompanied by a cloth and glass bead mask (mbap mteng) in the shape of that animal, such as 1985.1082. --- RELATED WORKS --- CITATIONS Petridis, Constantine. "New Acquisitions of African Art at the Cleveland Museum of Art". African Arts, 44, no. 1, (Spring 2011): 52-67. page number: Mentioned: p . 59; reproduced: p. 63, fig. 11. url: https://ingallslibrary.on.worldcat.org/oclc/7021560093 --- IMAGES web: https://openaccess-cdn.clevelandart.org/2007.181/2007.181_web.jpg print: https://openaccess-cdn.clevelandart.org/2007.181/2007.181_print.jpg full: https://openaccess-cdn.clevelandart.org/2007.181/2007.181_full.tif