{
"data": {
"id": 165736,
"accession_number": "2008.108",
"share_license_status": "CC0",
"tombstone": "Spring Rain Thatched Hut (\u6625\u96e8\u8349\u5802\u5716), 1650. Wang Jianzhang (Chinese, active 1621\u20131662). Handscroll, ink on paper; image: 31 x 81.5 cm (12 3/16 x 32 1/16 in.); overall: 34.2 x 1164 cm (13 7/16 x 458 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2008.108",
"current_location": null,
"title": "Spring Rain Thatched Hut",
"title_in_original_language": "\u6625\u96e8\u8349\u5802\u5716",
"creation_date": "1650",
"creation_date_earliest": 1650,
"creation_date_latest": 1650,
"artists_tags": [
"male"
],
"culture": [
"China, Qing dynasty (1644-1911)"
],
"technique": "handscroll, ink on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Handscroll",
"type": "Drawing",
"measurements": "Image: 31 x 81.5 cm (12 3/16 x 32 1/16 in.); Overall: 34.2 x 1164 cm (13 7/16 x 458 1/4 in.)",
"dimensions": {
"image": {
"height": 0.31,
"height_inch": 12,
"height_inch_fraction": 0.1875,
"width": 0.815,
"width_inch": 32,
"width_inch_fraction": 0.0625
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"overall": {
"height": 0.342,
"height_inch": 13,
"height_inch_fraction": 0.4375,
"width": 11.64,
"width_inch": 458,
"width_inch_fraction": 0.25
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Title by Wu Zhiying \u5433\u829d\u745b (1868\u20131933), dated 1910.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
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{
"inscription": "12 colophons by Gong Weiliu\u2019s \u5bae\u5049\u93d0 (1611\u20131680) contemporaries: \n\nFang Gongqian \u65b9\u62f1\u4e7e (1596\u20131667, jinshi of 1628); \nJiang Cai \u59dc\u57f0 (1607\u20131673); \nLiang Yizhang \u6881\u4ee5\u6a1f (1608\u20131665); \nDu Shaokai \u675c\u7d39\u51f1 (also named Du Jie \u675c\u5c95, 1617\u2013after 1689), dated 1648; \nZhao Kaixin \u8d99\u958b\u5fc3 (d. 1663), dated 1647; \nZhao Erbian \u8d99\u800c\u5fed (d. 1658); \nYu Yaoguang \u4f59\u8000\u5149, dated 1649; \nYao Quan \u59da\u4f7a, dated 1648; \nChen Taisun \u9673\u53f0\u5b6b (b. 1611, jinshi of 1640); \n(Monk) Shao \u97f6; \nDu Zhujin \u675c\u795d\u9032; \nand Tang Shi \u5510\u6642.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "\u6b64\u7814\u7530\u838a\u5c45\u58eb\u738b\u5efa\u7ae0\u70ba\u5148\u592a\u53f2\u7d2b\u5143\u516c\u6240\u4f5c\u6625\u96e8\u8349\u5802\u5716\u4e5f\u3002\u5c45\u58eb\u5b57\u4ef2\u521d\uff0c\u660e\u5d07\u798e\u9593\u4eba\uff0c\u8207\u5148\u592a\u53f2\u53ca\u60f2\u9999\u5c71\u76f8\u53cb\u5584\u3002\u559c\u756b\u4f5b\u50cf\uff0c\u81ea\u8b02\u4e0d\u8b93\u674e\u516c\u9e9f\u3002\u5c71\u6c34\u7956\u8ff0\u8463\u6e90\uff0c\u7b46\u529b\u96c4\u5065\uff0c\u6709\u4e0d\u53ef\u7f88\u52d2\u4e4b\u6982\u3002\u9999\u5c71\u7a31\u5176\u58a8\u6709\u4e94\u91c7\uff0c\u975e\u4e16\u4eba\u6240\u77e5\u3002\u7136\u6027\u5ec9\u91cd\uff0c\u975e\u540c\u5fd7\u4e0d\u8f15\u843d\u7b46\uff0c\u4eba\u5f97\u5176\u5bf8\u5716\u5c3a\u7e11\uff0c\u5fc5\u76f8\u8207\u5ffb\u8cde\uff0c\u5982\u7372\u873c\u5f5d\u5155\u6566\uff0c\u975e\u4eba\u4e16\u9593\u7269\u4e5f\uff01\u898b\u5148\u592a\u53f2\u7b46\u8a18\uff0c\u6b64\u5716\u5beb\u96e8\u666f\uff0c\u800c\u6c23\u97fb\u751f\u52d5\uff0c\u52c3\u52c3\u65bc\u4e0d\u80fd\u6b62\u3002\u6bcf\u4e00\u5c55\u89bd\uff0c\u89ba\u6eff\u7d19\u96f2\u70df\uff0c\u58a8\u700b\u7336\u6fd5\uff0c\u5982\u5beb\u543e\u5148\u4eba\u80f8\u4e2d\u672a\u76e1\u4e4b\u90b1\u58d1\u4e5f\u3002\u5716\u5f8c\u984c\u8a60\uff0c\u591a\u4e00\u6642\u540d\u624b\uff0c\u60f3\u898b\u6587\u91c7\u98a8\u6d41\u4e4b\u76db\u3002\u8fc4\u4eca\u4e8c\u767e\u9918\u5e74\uff0c\u820a\u5fb7\u5148\u7587\uff0c\u907a\u98a8\u672a\u6cab\u3002\u543e\u5b50\u5b6b\u5176\u6c38\u5bf6\u4e4b\uff0c\u5982\u8207\u543e\u5148\u4eba\u63a5\u8b26\u54b3\u65bc\u4e00\u5802\uff0c\u70ba\u611f\u601d\u4e4b\u52a9\uff0c\u5176\u6562\u4f5c\u5716\u756b\u89c0\u4e4e\uff01\u540c\u6642\u9999\u5c71\u4ea6\u6709\u5716\u4f5a\u53bb\u5df1\u4e45\uff0c\u4e0d\u77e5\u7570\u65e5\u80fd\u70ba\u5ef6\u6d25\u4e4b\u5408\u5426\u3002\u58ec\u7533\u9577\u590f\u672c\u6602\u91cd\u88dd\u656c\u8b58\u3002",
"inscription_translation": "1 colophon by Gong Ben\u2019ang \u5bae\u672c\u6602 (1821\u20131874), dated 1872: \n\nThis is the painting Spring Rain Thatched Hut done by Wang Jianzhang, the lay Buddhist of the Yantian Zhuang [Inkstone-Field Villa, Wang\u2019s studio and residence], for my ancestor, the Grand Scribe, Master Zixuan. The lay Buddhist had the courtesy name [zi] Zhongchu and lived during the Chongzhen period of the Ming dynasty. He was a friend of the late Grand Scribe and also of Yun Xiangshan [Yun Xiang]. He specialized in painting Buddhist images, priding himself on not yielding even to Li Gonglin. In landscape, his ancestry goes back to Dong Yuan. His brushwork is forceful and bold, with a feeling of being untrammeled. [Yun] Xiangshan once praised his ink as having five different colors, something unknown to ordinary men of the world. By nature he was noble and serious, and he would not lightly touch brush to paper for any but kindred spirits. Thus anyone who obtained an inch of one of his paintings, a foot of one of his silk scrolls, would treasure and delight in it as if he had obtained ancient yi or dun bronze vessels, as if this was not an object from the human realm! Judging from the late Grand Scribe\u2019s prose account of this scroll, it depicts a rainy scene, and the \u201cspirit-resonance\u201d and \u201clife-movement\u201d are dynamic to the point of never ceasing! Every time I unroll and examine it, I feel as if the paper is filled with clouds and mist, and the ink retains its moisture, as if depicting the infinite landscapes remaining in the heart of my ancestor! As for the colophons and poems following the painting, they are for the most part by famous figures of the day; I imagine that the height of literary brilliance and stylishness of that time still lives now, after more than two hundred years. The ancient virtue formerly cultivated, the air of the Way has still not diminished. May my sons and grandsons forever treasure this\u2014as if they engage in intimate conversation with our ancestor! This is an aid to gratitude for his beneficence to us: how could it merely be seen as \u201cviewing a painting\u201d? At the same time, [Yun] Xiangshan also did a painting, long since lost. I wonder if on some future day the two can be joined again, like [the miraculous rejoining of two swords] at Yanjin. In the year of renshen [1872], during a long summer evening, I, Ben\u2019ang, reverentially inscribed this after having the scroll remounted.",
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "Collectors' seals including:\nGong Ben'ang \u5bae\u672c\u6602 (1821\u20131874);\nLian Qian \u5ec9\u6cc9 (1868\u20131932);\nWu Zhiying \u5433\u829d\u745b (1868\u20131933)",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "\u6625\u96e8\u8349\u5802\u5716\u3002\u5e9a\u5bc5\u4ef2\u6625\uff0c\u70ba\u7d2b\u7384\u793e\u5144\u756b\u65bc\u82e5\u8036\u6eaa\u4e0a\u3002 \u4ef2\u521d\u738b\u5efa\u7ae0\u3002",
"inscription_translation": "Inscription by Wang Jianzhang, dated 1650: \n\nSpring Rain Thatched Hut, painted in the mid spring of the gengyin year [1650] on the Ruoye Stream, for Zixuan, the Elder Brother in the Society. By Zhongchu Wang Jianzhang.",
"inscription_remark": null,
"sortorder": 1
}
],
"exhibitions": {
"current": [],
"legacy": [
{
"description": "Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (January 7-July 7, 2015).",
"opening_date": "2015-01-07T00:00:00"
}
]
},
"provenance": [
{
"description": "Gong Weiliu \u5bae\u5049\u93d0 [1611\u20131680], given by descent through his family to Gong Ben'ang",
"citations": [],
"footnotes": [],
"date": "1650-1680",
"sortorder": 1
},
{
"description": "Gong Ben\u2019ang \u5bae\u672c\u6602 [1821\u20131874], by descent to relatives Lian Quan and his wife Wu Zhiying",
"citations": [],
"footnotes": [],
"date": "?-1874",
"sortorder": 2
},
{
"description": "Lian Quan \u5ec9\u6cc9 [1868\u20131932] and Wu Zhiying \u5433\u829d\u745b [1868\u20131933], Hangzhou, China",
"citations": [],
"footnotes": [],
"date": "by 1910-1933",
"sortorder": 3
},
{
"description": "(Sydney L. Moss Ltd., London, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?-2008",
"sortorder": 4
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "2008-",
"sortorder": 5
}
],
"find_spot": null,
"related_works": [],
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"did_you_know": "Gong Weiliu, the owner of the estate portrayed here, had received his prestigious jinshi degree in 1643, but his official career was thwarted by the collapse of the Ming dynasty the following year.",
"early_education_description": null,
"artlens_description": null,
"description": "With its striking simplicity, this painting captures the pure serenity of a private garden in the moist atmosphere of a spring morning on a small river. Painted in the style of Ni Zan, Wang Jianzhang dedicated this work to his patron-friend Gong Weiliu (1611-1680). Gong retired from government service after the fall of the Ming dynasty and constructed a garden-retreat at his native home in Taizhou, Jiangsu province. He invited scholars and poets from his literary society to contribute writings of his estate, which are here mounted together with the painting in this scroll.",
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"citations": [
{
"citation": "Moss, Paul. This Single Feather of Auspicious Light: Old Chinese Painting and Calligraphy. [London]: Sydney L. Moss Ltd, 2010.",
"page_number": "Mentioned: vol. 2, pp. 280-295",
"url": null
},
{
"citation": "\u201cArt of Asia Acquired by North American Museums, 2008-2009.\u201d Archives of Asian Art, vol. 60, 2010, pp. 95\u2013159.",
"page_number": "Reproduced: p. 106",
"url": "www.jstor.org/stable/40863712"
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.",
"page_number": "Reproduced: pp. 336-341",
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"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.",
"page_number": "Mentioned: pp. 337-338",
"url": null
}
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