id:			166169
accession number:	2008.13.2
share license status:	Copyrighted
url:			https://clevelandart.org/art/2008.13.2
updated:		2022-03-22 09:00:32.411000

Leaf 2:  Listening to the Waterfall, 1962. Fu Baoshi (Chinese, 1904-1965). Fan painting mounted as an album leaf, ink and color on paper; overall: 20 x 54.5 cm (7 7/8 x 21 7/16 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 2008.13.2

title:				Leaf 2:  Listening to the Waterfall
title in original language:	聽泉圖
series:				
series in original language:	
creation date:			1962
creation date earliest:		1962
creation date latest:		1962
current location:		
creditline:			Leonard C. Hanna, Jr. Fund
copyright:			

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culture:	China
technique:	fan painting mounted as an album leaf, ink and color on paper
department:	Chinese Art
collection:	ASIAN - Album leaf
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Fu Baoshi (Chinese, 1904-1965)  - artist

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measurements: Overall: 20 x 54.5 cm (7 7/8 x 21 7/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	The artist’s poetic inscription:
Leaning on the rails and listening to the cleansing sound. Painted on 13 June 1962, in accordance with Shitao’s poetic thoughts; recorded by Baoshi.
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		The Art of Fu Baoshi (1904 - 1965)
	opening date:   2011-10-16T00:00:00
	<i>The Art of Fu Baoshi (1904 - 1965)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 16, 2011-January 8, 2012); The Metropolitan Museum of Art, New York, NY (co-organizer) (January 30-April 29, 2012).

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LEGACY EXHIBITIONS

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PROVENANCE

	Fu Baoshi's family collection, Nanjing, China
	date: 1962-?
	footnotes: 	
	citations: 	


	(Han Mo Xuan Co., Ltd., Hong Kong, sold to the Cleveland Museum of Art)
	date: ?-2008
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 2008-
	footnotes: 	
	citations: 	


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fun fact: 
Themes like listening to the sound of nature evoke the literati ideal of man in harmony with the environment.

digital description: 


wall description: 
This set of fan paintings expresses the artist’s personal life and differs from the state-commissioned works Fu painted to fulfill his social duty. Here, several of the paintings have dedicatory inscriptions to Fu’s wife, Luo Shihui, and his eldest daughter, Yishan. Not only do these inscriptions offer glimpses into the artist’s private life, they also reveal acutely felt emotions, especially the struggle of a loving father deeply troubled by a daughter’s illness.
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RELATED WORKS

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CITATIONS

	Chung, Anita, Julia Frances Andrews, Kuiyi Shen, Tamaki Maeda, and Aida Yuen Wong.<em> Chinese art in an age of revolution: Fu Baoshi (1904-1965)</em>. Cleveland, OH: The Cleveland Museum of Art, 2011.
	page number: 	Mentioned and Reproduced: cat. no. 61, pp. 184-196
	url:		

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IMAGES