{
    "data": {
        "id": 166198,
        "accession_number": "2008.148",
        "share_license_status": "CC0",
        "tombstone": "Virgin and Child, c. 1662. Anna Maria Carew (British), after Anthony van Dyck (Flemish, 1599\u20131641). Watercolor heightened with gum on vellum, with gold; diameter: 12.1 cm (4 3/4 in.). The Cleveland Museum of Art, Gift of the Painting and Drawing Society of The Cleveland Museum of Art, 2008.148",
        "current_location": null,
        "title": "Virgin and Child",
        "creation_date": "c. 1662",
        "creation_date_earliest": 1657,
        "creation_date_latest": 1667,
        "artists_tags": [
            "female",
            "male"
        ],
        "culture": [
            "England, 17th century"
        ],
        "technique": "watercolor heightened with gum on vellum, with gold",
        "support_materials": [],
        "department": "European Painting and Sculpture",
        "collection": "P - British before 1800",
        "type": "Portrait Miniature",
        "measurements": "Diameter: 12.1 cm (4 3/4 in.)",
        "dimensions": {
            "diameter": {
                "height": 0.121,
                "height_inch": 4,
                "height_inch_fraction": 0.75
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "signed at right center: \"Maria Carew / fect\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
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        ],
        "exhibitions": {
            "current": [
                {
                    "id": 202388,
                    "title": "Disembodied: Portrait Minatures and their Contemporary Relatives",
                    "description": "<i>Disembodied: Portrait Minatures and their Contemporary Relatives</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 10, 2013-February 16, 2014).",
                    "opening_date": "2013-11-10T00:00:00"
                },
                {
                    "id": 454621,
                    "title": "Making Her Mark: A History of Women Artists in Europe, 1400-1800",
                    "description": "<i>Making Her Mark: A History of Women Artists in Europe, 1400-1800</i>. The Baltimore Museum of Art, Baltimore, MD (co-organizer) (October 1, 2023-January 7, 2024) https://artbma.org/exhibition/making-her-mark-a-history-of-women-artists-in-europe-1400-1800; Art Gallery of Ontario, Ontario M5T 1G4, Canada (organizer) (co-organizer) (March 27-July 1, 2024) https://ago.ca/exhibitions/making-her-mark-history-women-artists-europe-1400-1800.",
                    "opening_date": "2023-10-01T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Private Collection, Holland",
                "citations": [],
                "footnotes": null,
                "date": "-2008",
                "sortorder": 1
            },
            {
                "description": "(Sale: Sotheby's, London, December 4, 2008, no. 101)",
                "citations": [],
                "footnotes": null,
                "date": "December 4, 2008",
                "sortorder": 2
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "2008-",
                "sortorder": 3
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "King Charles II awarded Carew an annual pension to copy in miniature from the royal collection.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Larger in size than most portrait miniatures, the Madonna and Child by Anna Maria Carew is a cabinet miniature, or a small work on vellum, enamel, or ivory that copies a full-scale oil painting. In this case the original painting was by Flemish artist Anthony van Dyck, and engraved by Paulus Pontius around 1630 shortly after it was painted. As a cabinet miniature, this work is somewhat unusual because of its religious subject and its simplicity. Cabinet miniatures tended instead to reproduce paintings of dramatic subjects and climactic moments in myths or religious stories. They could be hung on the wall or stored in elaborate and specially designed furniture, and they were often displayed in the smaller, more private rooms of a house.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79996146"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-2008.148-virgin-and-child"
            ]
        },
        "citations": [
            {
                "citation": "Sotheby's (Firm). <em>Early British Drawings, Watercolours and Portrait Miniatures.</em> London: Sotheby's, 2008.",
                "page_number": "no. 101",
                "url": ""
            },
            {
                "citation": "Korkow, Cory, and Dario Robleto. <em>Disembodied: Portrait Miniatures and Their Contemporary Relatives.</em> 2013.",
                "page_number": "Mentioned: p. 87",
                "url": null
            },
            {
                "citation": "Korkow, Cory, and Jon L. Seydl.<em> British Portrait Miniatures: The Cleveland Museum of Art</em>. 2013.",
                "page_number": "Cat. no. 18, pp. 98-102",
                "url": ""
            }
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        "updated_at": "2026-05-29 08:34:46.970000"
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