id: 166698
accession number: 2008.407
share license status: CC0
url: https://clevelandart.org/art/2008.407
updated: 2023-04-25 11:42:57.933000
Valmy and Léa, c. 1885–95. Jean Béraud (French, 1849–1935). Brush and brown wash, heightened with white gouache, over graphite; sheet: 36 x 51.7 cm (14 3/16 x 20 3/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin 2008.407
title: Valmy and Léa
title in original language:
series:
series in original language:
creation date: c. 1885–95
creation date earliest: 1885
creation date latest: 1895
current location:
creditline: Bequest of Muriel Butkin
copyright:
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culture: France, 20th century
technique: brush and brown wash, heightened with white gouache, over graphite
department: Drawings
collection: Drawings
type: Drawing
find spot:
catalogue raisonne:
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CREATORS
* Jean Béraud (French, 1849–1935) - artist
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measurements: Sheet: 36 x 51.7 cm (14 3/16 x 20 3/8 in.)
state of the work:
edition of the work:
support materials:
description: beige wove paper, laid down on cardboard
watermarks:
inscriptions:
inscription: lower center, in black ink: Jean Béraud / [fragments of an additional signature]
translation:
remark:
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CURRENT EXHIBITIONS
title: Art and the Stage
opening date: 1981-05-22T04:00:00
Art and the Stage. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 22-August 16, 1981).
title: French Master Drawings from the Collection of Muriel Butkin
opening date: 2001-08-26T00:00:00
French Master Drawings from the Collection of Muriel Butkin. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 26-October 28, 2001); Dahesh Museum of Art (February 19-May 18, 2002).
title: Themes and Variations: Musical Drawings and Prints
opening date: 2015-01-25T00:00:00
Themes and Variations: Musical Drawings and Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 25-May 17, 2015).
title: In Concert! Musical Instruments in Art, 1860-1910
opening date: 2017-03-24T04:00:00
In Concert! Musical Instruments in Art, 1860-1910. Musée des Impressionismes Giverny, Giverny, France (organizer) (March 24-July 2, 2017).
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
A forerunner to the cabaret, the café-concert was an irresistible subject for artists working in fin-de-siècle Paris. Here, the performers are illuminated by the unnatural glow of gas footlights, while the musicians in the orchestra, seen mostly from behind, are tucked in the shadowy foreground. The neck of the double base extends above the crowd, drawing the viewer’s eye to the climactic can-can.
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RELATED WORKS
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CITATIONS
Breitman, Ellen. Art and the Stage. Cleveland: Cleveland Museum of Art, 1981.
page number: Referenced: p. 58, Reproduced: pl. 35
url:
Foster, Carter E., Sylvain Bellenger, and Patrick Shaw Cable. French Master Drawings from the Collection of Muriel Butkin. Exh. Cat. Cleveland: Cleveland Museum of Art, 2001.
page number: Mentioned: pp. 112-113, no. 51; Reproduced: p. 113
url:
Thomson, Richard. "The Imperatives of Style: Seurat's Drawings, 1886-1891." In Georges Seurat: The Drawings, edited by Jodi Hauptmann. Exh. Cat. New York: Museum of Modern Art, 2007.
page number: Mentioned and reproduced: p. 182
url:
Frank, Frédéric and Belinda Thomson. In Concert!: Musical Instruments in Art 1860-1910. Giverny: Musée des Impressionnismes, 2017. p. 69, 76.
page number: Mentioned: p. 69, no. 8; Reproduced: p. 76
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/2008.407/2008.407_web.jpg
print: https://openaccess-cdn.clevelandart.org/2008.407/2008.407_print.jpg
full: https://openaccess-cdn.clevelandart.org/2008.407/2008.407_full.tif