{
    "data": {
        "id": 167190,
        "accession_number": "2009.16",
        "share_license_status": "CC0",
        "tombstone": "Young Woman Seated on a Bed, before 1764. Louis-Marin Bonnet (French, 1736\u20131793), after Fran\u00e7ois Boucher (French, 1703\u20131770). Chalk manner etching and engraving printed in red; sheet: 46.9 x 33.1 cm (18 7/16 x 13 1/16 in.); platemark: 44.2 x 30.6 cm (17 3/8 x 12 1/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 2009.16",
        "current_location": null,
        "title": "Young Woman Seated on a Bed",
        "creation_date": "before 1764",
        "creation_date_earliest": 1754,
        "creation_date_latest": 1764,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, 18th century"
        ],
        "technique": "chalk manner etching and engraving printed in red",
        "support_materials": [
            {
                "description": "medium weight French laid paper with proprietary watermark",
                "watermarks": []
            }
        ],
        "department": "Prints",
        "collection": "PR - Chalk Manner",
        "type": "Print",
        "measurements": "Sheet: 46.9 x 33.1 cm (18 7/16 x 13 1/16 in.); Platemark: 44.2 x 30.6 cm (17 3/8 x 12 1/16 in.)",
        "dimensions": {
            "sheet": {
                "height": 0.469,
                "width": 0.331
            },
            "platemark": {
                "height": 0.442,
                "width": 0.306
            }
        },
        "state_of_the_work": "I/III",
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 282301,
                    "title": "Elegance and Intrigue: French Society in 18th-century Prints and Drawings",
                    "description": "<i>Elegance and Intrigue: French Society in 18th-century Prints and Drawings</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 16-November 6, 2016).",
                    "opening_date": "2016-07-16T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [
            {
                "id": 154027,
                "description": "Young Woman Seated on a Bed, 1764\u201367. Louis-Marin Bonnet (French, 1736\u20131793), after Fran\u00e7ois Boucher (French, 1703\u20131770). Chalk-manner etching and engraving printed in black and white on blue paper; sheet: 46.5 x 32.7 cm (18 5/16 x 12 7/8 in.); platemark: 43.6 x 30.2 cm (17 3/16 x 11 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1988.151",
                "relationship": null
            }
        ],
        "former_accession_numbers": [],
        "did_you_know": null,
        "description": "Although this scene of a nude woman lounging in her bedchamber appears to be drawn with red chalk like the drawings by Greuze and Boucher nearby, it is actually a printed image. Chalk-manner etchings and engravings are made using special punches and rollers with teeth of various sizes set at irregular intervals to re-create the natural granular effects of chalk lines drawn on textured paper.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79998442"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-2009.16-young-woman-seated-o"
            ]
        },
        "citations": [],
        "catalogue_raisonne": "H\u00e9rold 13",
        "url": "https://clevelandart.org/art/2009.16",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/2009.16/2009.16_web.jpg",
                "width": "614",
                "height": "893",
                "filesize": "494375",
                "filename": "2009.16_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/2009.16/2009.16_print.jpg",
                "width": "2337",
                "height": "3400",
                "filesize": "7497267",
                "filename": "2009.16_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/2009.16/2009.16_full.tif",
                "width": "4205",
                "height": "6117",
                "filesize": "77201752",
                "filename": "2009.16_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "James Parmelee Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 167190,
        "creators": [
            {
                "id": 8642,
                "description": "Louis-Marin Bonnet (French, 1736\u20131793)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1736",
                "death_year": "1793",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            },
            {
                "id": 1888,
                "description": "Fran\u00e7ois Boucher (French, 1703\u20131770)",
                "extent": null,
                "qualifier": "after",
                "role": "artist",
                "biography": "French Rococo artist who epitomizes the frivolous and elegant court life of France in the mid-18th century. During his early career he was closely associated with Watteau, many of whose paintings he engraved. Boucher was a successful and incredibly prolific artistic who had a major impact on both fine and decorative art of the 18th century. He is particularly noted for having reinvented the genre of the pastoral, creating images of shepherds and shepherdesses as sentimental lovers that was taken up in a variety of medium. Boucher's sketchy manner of painting helped to promote painterliness as an end in itself. This trend dominated French painting until the emergence of Neoclassicism, when the tides of criticism turned against Boucher and his followers.",
                "name_in_original_language": null,
                "birth_year": "1703",
                "death_year": "1770",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 2
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2009-03-02T00:00:00",
        "sortable_date": 1754,
        "date_added_to_oa": null,
        "date_text": "before 1764",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-03-27 00:06:20.619000"
    }
}