{
"data": {
"id": 167663,
"accession_number": "2009.342.2",
"share_license_status": "CC0",
"tombstone": "Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Buddha) (\u91cb\u8fe6\u4e09\u5c0a\uff1a\u91cb\u8fe6\u6469\u5c3c\u8207\u6587\u6b8a\u83e9\u85a9\u666e\u8ce2\u83e9\u85a9), late 1300s. China, Fuzhou, Fujian Province, Yuan dynasty (1271-1368). Hanging scroll; ink and color on silk; painting: 107 x 46.6 cm (42 1/8 x 18 3/8 in.); overall with knobs: 192.4 x 66.7 cm (75 3/4 x 26 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.342.2",
"current_location": null,
"title": "Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Buddha)",
"title_in_original_language": "\u91cb\u8fe6\u4e09\u5c0a\uff1a\u91cb\u8fe6\u6469\u5c3c\u8207\u6587\u6b8a\u83e9\u85a9\u666e\u8ce2\u83e9\u85a9",
"creation_date": "late 1300s",
"creation_date_earliest": 1350,
"creation_date_latest": 1368,
"artists_tags": [],
"culture": [
"China, Fuzhou, Fujian Province, Yuan dynasty (1271-1368)"
],
"technique": "Hanging scroll; ink and color on silk",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Painting: 107 x 46.6 cm (42 1/8 x 18 3/8 in.); Overall with knobs: 192.4 x 66.7 cm (75 3/4 x 26 1/4 in.)",
"dimensions": {
"painting": {
"height": 1.07,
"height_inch": 42,
"height_inch_fraction": 0.125,
"width": 0.466,
"width_inch": 18,
"width_inch_fraction": 0.375
},
"overall": {
"height": 1.924,
"height_inch": 75,
"height_inch_fraction": 0.75,
"width": 0.625,
"width_inch": 24,
"width_inch_fraction": 0.625
},
"overall with knobs": {
"height": 1.924,
"height_inch": 75,
"height_inch_fraction": 0.75,
"width": 0.667,
"width_inch": 26,
"width_inch_fraction": 0.25
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Inscription at the bottom of the central scroll reads: \"Da Song Fuzhou fu\u2026(Fuzhou prefecture of the great Song).\" \n\u5927\u5b8b\u798f\u5dde\u5e9c",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 318433,
"title": "Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art \u2013 Chinese Gallery Rotation 240a, 241c",
"description": "Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art \u2013 Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (February 8-August 11, 2019).",
"opening_date": "2019-02-08T05:00:00"
},
{
"id": 539332,
"title": "Six Dynasties of Chinese Painting (Chinese art rotation)",
"description": "Six Dynasties of Chinese Painting (Chinese art rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 10, 2023-May 5, 2024).",
"opening_date": "2023-11-10T05:00:00"
}
],
"legacy": [
{
"description": "Main gallery rotation (Gallery 244), The Cleveland Museum of Art, Cleveland, OH (March 11-July 7, 2015).",
"opening_date": "2015-03-11T00:00:00"
}
]
},
"provenance": [
{
"description": "Reportedly from the Enman-in \u5186\u6e80\u9662 located inside the Onjo-ji temple (also known as the Miidera temple) in Otsu City, Shiga prefecture, Japan",
"citations": [],
"footnotes": [],
"date": "before 1888\u2013c. 1945",
"sortorder": 1
},
{
"description": "Private collection, Japan",
"citations": [],
"footnotes": [],
"date": "after 1945\u2013c. 1985",
"sortorder": 2
},
{
"description": "Takashi Yanagi of Yanagi Fine Art Shop, Kyoto, Japan, to Koichi Yanagi",
"citations": [],
"footnotes": null,
"date": "c. 1985\u2013before 2009",
"sortorder": 3
},
{
"description": "(Koichi Yanagi Oriental Fine Art, Kyoto, Japan, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20132009",
"sortorder": 4
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "2009\u2013",
"sortorder": 5
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "Shakyamuni is seated cross-legged on the throne with the hand gesture (mudra) of giving instruction.",
"early_education_description": null,
"artlens_description": null,
"description": "This triptych is a rare example of Yuan Buddhist painting. It depicts the historic Buddha Shakyamuni flanked by two attending bodhisattvas, Manjushri (the bodhisattva of wisdom, riding a lion) and Samantabhadra (the bodhisattva of universal virtue, riding an elephant). Below them are others seeking enlightenment: two disciples of the Buddha (Ananada and Kasyapa), two non-Chinese people, a boy with topknots, and a female worshiper.
The clouds above and around the divine beings form one scene that illustrates Shakyamuni\u2019s sermon from the Lotus Sutra. This text became an important basis for Buddhist faith throughout East Asia and was central to the Mahayana school of Buddhism.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60480523"
],
"internet_archive": [
"https://archive.org/details/clevelandart-2009.342.2-shakyamuni-triad-bud"
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"citations": [
{
"citation": "O\u0304saka Shiritsu Bijutsukan \u5927\u962a\u5e02\u7acb\u7f8e\u8853\u9928. So\u0304 Gen no bijutsu \u5b8b\u5143\u306e\u7f8e\u8853. To\u0304kyo\u0304: Heibonsha, 1980.",
"page_number": "Reproduced: pl. 300",
"url": null
},
{
"citation": "Fenorosa, Tenshin no mita O\u0304mi: Meiji 21-nen rinji zenkoku ho\u0304motsu cho\u0304sa kara: tokubetsuten [\u30d5\u30a7\u30ce\u30ed\u30b5\u30fb\u5929\u5fc3\u306e\u898b\u305f\u8fd1\u6c5f : \u660e\u6cbb 21\u5e74\u81e8\u6642\u5168\u56fd\u5b9d\u7269\u8abf\u67e5\u304b\u3089 : \u7279\u522b\u5c55]. O\u0304tsu-shi: Shiga Kenritsu Biwako Bunkakan, Heisei 16 [2004].",
"page_number": "p. 95",
"url": null
},
{
"citation": "So\u0304 Gen butsuga: kaikan 40-shu\u0304nen kinen tokubetsuten [\u5b8b\u5143\u4ecf\u753b: \u958b\u9928 40\u5468\u5e74\u8a18\u5ff5\u7279\u5225\u5c55 = The 40th Anniversary Special Exhibition: Buddhist Paintings of Song and Yuan Dynasties]. Yokohama-shi: Kanagawa Kenritsu Rekishi Hakubutsukan [\u795e\u5948\u5ddd\u770c\u7acb\u6b74\u53f2\u535a\u7269\u9928 = Kanagawa Prefectural Museum of Cultural History], 2007.",
"page_number": "Reproduced: p. 38, pl. 5",
"url": null
},
{
"citation": "\u201cArt of Asia Acquired by North American Museums, 2008-2009.\u201d Archives of Asian Art, vol. 60, 2010, pp. 95\u2013159.",
"page_number": "Reproduced: p. 109, no. 14",
"url": "https://www.jstor.org/stable/40863712"
},
{
"citation": "Chung, Anita. \"Re-emergence: New Chinese Galleries and Art Acquisitions of The Cleveland Museum of Art.\" Orientations vol 44 no. 8 (November/December 2013): 64-75.",
"page_number": "Reproduced: pp. 68-69, fig. 5",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.",
"page_number": "Reproduced: pp. 196-200",
"url": null
}
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