id: 167665 accession number: 2009.343 share license status: Copyrighted url: https://clevelandart.org/art/2009.343 updated: 2020-11-04 22:05:51.702000 Mapa estelar en árbol, 2009. Gabriel Orozco (Mexican, b. 1962). Calcium sulfate (plaster), animal glue, graphite and mango tree trunk; overall: 72.6 x 69.7 x 40 cm (28 9/16 x 27 7/16 x 15 3/4 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 2009.343 © Gabriel Orozco title: Mapa estelar en árbol title in original language: series: series in original language: creation date: 2009 creation date earliest: 2009 creation date latest: 2009 current location: 229A Contemporary creditline: Severance and Greta Millikin Purchase Fund copyright: © Gabriel Orozco --- culture: Mexico, 21st century technique: calcium sulfate (plaster), animal glue, graphite and mango tree trunk department: Contemporary Art collection: CONTEMP - Sculpture type: Sculpture find spot: catalogue raisonne: --- CREATORS * Gabriel Orozco (Mexican, b. 1962) - artist --- measurements: Overall: 72.6 x 69.7 x 40 cm (28 9/16 x 27 7/16 x 15 3/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE The work was made during the first months of the year 2009. It was exhibited for the first time as part of Orozco's solo exhibition at Kurimanzutto gallery in Mexico City, which opened on April 25, 2009 (April 29 to the public) and closed on June 13th, 2009. The work was put on hold for consideration of the Cleveland Museum of Art on April 26th, 2009. date: footnotes: citations: --- fun fact: digital description: wall description: Orozco incorporates objects from urban and natural settings in his artwork. A fallen mango tree found in the state of Morelos in southern Mexico acts as the base for Mapa estelar en árbol. Indigenous inhabitants of Morelos use wood from mango trees for cooking and heating. Orozco has covered one side of the trunk with an even layer of animal glue, or gesso, on top of which he applied a layer of graphite that he fastidiously etched with a compass point. This process references an old master technique, one of many that Orozco has resurrected as part of his work. --- RELATED WORKS --- CITATIONS --- IMAGES