id: 167673 accession number: 2009.350 share license status: CC0 url: https://clevelandart.org/art/2009.350 updated: 2024-03-26 02:01:18.123000 Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight, c. 1870. Carlo Naya (Italian, 1816–1882). Albumen print; image: 42.3 x 53.7 cm (16 5/8 x 21 1/8 in.); paper: 42.3 x 53.7 cm (16 5/8 x 21 1/8 in.); matted: 61 x 76.2 cm (24 x 30 in.). The Cleveland Museum of Art, Dudley P. Allen Fund 2009.350 title: Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight title in original language: series: series in original language: creation date: c. 1870 creation date earliest: 1865 creation date latest: 1875 current location: creditline: Dudley P. Allen Fund copyright: --- culture: Italy, 19th century technique: albumen print department: Photography collection: Photography type: Photograph find spot: catalogue raisonne: --- CREATORS * Carlo Naya (Italian, 1816–1882) - artist Carlo Naya Italian, 1816-1882 Along with Carlo Ponti, Carlo Naya was a major photographer in 19th-century Venice. Born in Tronzano di Vercelli, he trained as a lawyer and traveled with his brother to Asia and North Africa before settling in Venice around 1857. There he worked in conjunction with Ponti until a business dispute in 1868. Naya's work covered a number of subjects, especially architecture and the reproduction of works of art. He also produced genre scenes, as well as travel views such as those taken during a trip to Egypt in 1876. Principally a commercial photographer, Naya generated over the course of his career some 8,000 negatives, which continued to be printed by his business until around 1918. His work, well received throughout Europe, was awarded gold medals at the London Exposition (1862) and at the Exposition Universelle in Paris (1867). Naya served as official photographer to Italy's King Vittorio Emmanuelle and in 1870 became a member of the Société française de photographie. T.W.F. --- measurements: Image: 42.3 x 53.7 cm (16 5/8 x 21 1/8 in.); Paper: 42.3 x 53.7 cm (16 5/8 x 21 1/8 in.); Matted: 61 x 76.2 cm (24 x 30 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Stories From Storage opening date: 2021-02-07T05:00:00 Stories From Storage. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 16, 2021). --- LEGACY EXHIBITIONS --- PROVENANCE Bruno Tartarin, Paris; Charles Isaacs, New York; Cleveland Museum of Art date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Chiodini, Elisabetta. Il mito di Venezia: da Hayez alla Biennale. Novara : METS percorsi d'arte, 2021. page number: Mentioned and reproduced: p. 63, fig. 8 url: Tannenbaum, Barbara. “Paper Airplanes.” Cleveland Art: Cleveland Museum of Art Members Magazine 61, no. 1 (Winter 2021): 22. page number: Reproduced and Mentioned: P. 22. url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/2009.350/2009.350_web.jpg print: https://openaccess-cdn.clevelandart.org/2009.350/2009.350_print.jpg full: https://openaccess-cdn.clevelandart.org/2009.350/2009.350_full.tif