id:			168156
accession number:	2009.72
share license status:	CC0
url:			https://clevelandart.org/art/2009.72
updated:		2022-01-04 17:48:57.580000

Vanity Case (Nécessaire), c. 1760. Attributed to James Barbot (British). Gold, orange agate, enamel; The Cleveland Museum of Art, Gift of Howard F. Stirn 2009.72

title:				Vanity Case (Nécessaire)
title in original language:	
series:				
series in original language:	
creation date:			c. 1760
creation date earliest:		1755
creation date latest:		1765
current location:		203B British Painting and Decorative Arts
creditline:			Gift of Howard F. Stirn
copyright:			

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culture:	England, mid 18th century
technique:	gold, orange agate, enamel
department:	Decorative Art and Design
collection:	Decorative Arts
type:		Miscellaneous
find spot:	
catalogue raisonne: 

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CREATORS

* James Barbot (British)  - artist

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measurements: 
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		British Gallery Reinstallation  (June 2020)
	opening date:   2020-06-30T04:00:00
	<i>British Gallery Reinstallation  (June 2020)</i>. The Cleveland Museum of Art (organizer).

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LEGACY EXHIBITIONS

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PROVENANCE

	Howard F. Stirn [1923-2016], Cleveland, OH, given to the Cleveland Museum of Art
	date: -2009
	footnotes: 	
	citations: 	


	Cleveland Museum of Art, Cleveland, OH
	date: 2009-
	footnotes: 	
	citations: 	


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fun fact: 
This small box with a mirror-lined lid is a dressing table accessory that contains luxury objects such a clasp knife, snuff spoon, ivory tablet, and scent bottles.

digital description: 
Luxurious personal objects were an essential part of a privileged wardrobe during the 1700s and early 1800s, emphasizing their owner’s refinement and wealth. Jewelry, miniatures, and <em>nécessaires</em>—small expensive sets designed to hold grooming, writing, and sewing tools—were often given as intimate gifts, intended to be seen and admired. Their glittering surfaces, however, disguised a system based on the labor and suffering of enslaved or indentured people, whether in gold and stone mines or shops where these goods were made.

wall description: 

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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2009.72/2009.72_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2009.72/2009.72_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2009.72/2009.72_full.tif