{
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        "accession_number": "2009.81",
        "share_license_status": "CC0",
        "tombstone": "Saint Peter of Alc\u00e1ntara, c. 1663\u201370. Pedro de Mena (Spanish, 1628\u20131688), and Workshop. Painted wood, with ivory and glass; overall: 72.2 x 32 x 32 cm (28 7/16 x 12 5/8 x 12 5/8 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 2009.81",
        "current_location": "212 Baroque Painting and Sculpture",
        "title": "Saint Peter of Alc\u00e1ntara",
        "creation_date": "c. 1663\u201370",
        "creation_date_earliest": 1628,
        "creation_date_latest": 1675,
        "artists_tags": [
            "male",
            "Latine and Hispanic Artists",
            "gender unknown"
        ],
        "culture": [
            "Spain"
        ],
        "technique": "painted wood, with ivory and glass",
        "support_materials": [],
        "department": "European Painting and Sculpture",
        "collection": "Sculpture",
        "type": "Sculpture",
        "measurements": "Overall: 72.2 x 32 x 32 cm (28 7/16 x 12 5/8 x 12 5/8 in.)",
        "dimensions": {
            "overall": {
                "height": 0.722,
                "height_inch": 28,
                "height_inch_fraction": 0.4375,
                "width": 0.32,
                "width_inch": 12,
                "width_inch_fraction": 0.625,
                "depth": 0.32,
                "depth_inch": 12,
                "depth_inch_fraction": 0.625
            }
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        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [],
            "legacy": []
        },
        "provenance": [
            {
                "description": "By repute Alameda de Osu\u00f1a Palace, Spain",
                "citations": [],
                "footnotes": [],
                "date": "1800s",
                "sortorder": 2
            },
            {
                "description": "Bauer Collection, Spain",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": 3
            },
            {
                "description": "Ignacio Zuloaga (1870-1945), Madrid, Spain, sold or gifted to a Private Collector",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 4
            },
            {
                "description": "Spanish Private Collector, through inheritance passed down generations, sold to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": [],
                "date": "-2009",
                "sortorder": 5
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
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                "footnotes": null,
                "date": "2009-",
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        "did_you_know": "Peter of Alcantara was so dedicated to his work he slept only 90 minutes a night--he's the patron saint of night watchmen!",
        "early_education_description": null,
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        "description": "Painted wood sculpture from Spain in the 1600s involved a team of artisans working under a lead sculptor. The sculptor first carved numerous pieces of wood in complex forms. So the paint would stick properly, these fragments were delicately covered in gesso (a combination of white chalk and glue made from animal collagen), preserving the subtle woodcarving underneath. The rough surface of the saint's face\u2014reflecting his age and hardships\u2014came from texturing the gesso with a brush. The glass eyes, probably imported from Venice, were inserted from behind the face before the wood pieces were attached. Finally, the eyelashes were added for a further touch of realism. A painter created the appearance of coarse sackcloth in a distinctive style, with yellow strokes rising off the surface. Smoother brushstrokes form the flesh tones, even revealing the saint's five-o'clock shadow. Unlike other kinds of painting, sculpture from southern Spain at this time was usually not covered in varnish; sculptors prized the unvarnished paint for its realistic effect, although it makes the surface exceptionally delicate and susceptible to dust and dirt, which more easily sticks to the surface.",
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                "https://www.wikidata.org/wiki/Q60746176"
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            "internet_archive": [
                "https://archive.org/details/clevelandart-2009.81-saint-peter-of-alcan"
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        "citations": [
            {
                "citation": "Mann, C. Griffith. \u201cAcquisitions 2009.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 50, no. 2 (March/April 2010): 12-27.",
                "page_number": "Mentioned and reproduced: p. 19",
                "url": "https://archive.org/details/CMAMM2010-02/page/n17/mode/2up"
            },
            {
                "citation": "Cleveland Museum of Art, David Franklin, and C. Griffith Mann. <em>Treasures from the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, 2012.",
                "page_number": "pp. 206-7",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.",
                "page_number": "Mentioned and reproduced: P. 190",
                "url": ""
            },
            {
                "citation": "\u201cA Walking Tour: The entire new museum wing by wing, with curators calling out a few favorite works in the collection.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 54, no. 1 (January/February 2014): 8-33.",
                "page_number": "Reproduced and Mentioned: p. 17",
                "url": "https://archive.org/details/CMAMM2014-01"
            },
            {
                "citation": "Cleveland Museum of Art. <em>Museum Masters: 2016-17 Companion Guide.</em> [Cleveland, Ohio]: Cleveland Museum of Art, 2016.",
                "page_number": "Mentioned and reproduced: P. 19",
                "url": ""
            },
            {
                "citation": "Bray, Xavier, Jose\u0301 Luis Romero Torres and Michel Polfer. <em>Pedro De Mena: The Spanish Bernini</em>. Lichtervelde: Kannibaal bvba/ Hannibal, 2019.",
                "page_number": "Mentioned & reproduced: p. 10, fig. 1; p. 224, fig.145",
                "url": null
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