id:			168492
accession number:	2010.243
share license status:	CC0
url:			https://clevelandart.org/art/2010.243
updated:		2024-03-26 02:01:22.968000

Study of Madame Marie Cantacuzène; Study of Standing Female Nude, c. 1883. Pierre Puvis de Chavannes (French, 1824–1898). Black chalk; sheet: 29.4 x 22.6 cm (11 9/16 x 8 7/8 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin 2010.243

title:				Study of Madame Marie Cantacuzène; Study of Standing Female Nude
title in original language:	
series:				
series in original language:	
creation date:			c. 1883
creation date earliest:		1878
creation date latest:		1888
current location:		
creditline:			Bequest of Muriel Butkin
copyright:			

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culture:	France, 19th century
technique:	black chalk
department:	Drawings
collection:	DR - French
type:		Drawing
find spot:	
catalogue raisonne: 

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CREATORS

* Pierre Puvis de Chavannes (French, 1824–1898)  - artist
Pierre Puvis de Chavannes was born into a bourgeois family. His father intended his son to enroll at the École Polytechnique in Paris. After a prolonged illness, however, Puvis instead entered the Faculté de Droit. He became interested in art during a trip to Italy in 1846, and the following year he began studying with Henri Scheffer (1798-1862). Puvis returned to Italy in 1848 with Louis Bauderon de Vermeron (1809-1870), where he became interested in the art of mural painting. He entered the atelier of Delacroix (q.v.) for only two weeks, and later that of Couture (q.v.) for three months. Yet, Puvis's chief method of study was to work independently after live models. He was accepted in the Salon of 1850, but his submissions from 1852 through 1859 were rejected. In 1854-55 he decorated the dining room at his brother's country house, Le Brouchy, near Cuiseaux. He won a second-class medal at the Salon of 1861 for Concordia (Musée de Picardie, Amiens), which was purchased by the state. Inspired by the frescoes of Pompeii and by Piero della Francesca's Legend of the True Cross in Arezzo, Puvis pursued his interest in mural painting with great success. He received commissions to create works for the Palais des Arts in Lyons, the Pantheon and the Hôtel de Ville in Paris, the Boston Public Library, and many others. The artist strove to integrate his mural paintings with the surrounding architecture and to maintain the integrity of the flat wall surface by using broad areas of subdued color. In 1890, together with Meissonier (q.v.) and Rodin (1840-1917), Puvis founded the Société Nationale des Beaux-Arts, as a more progressive alternative for the regular Salon. Puvis's art had a significant impact on later artists, particularly the symbolists.
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measurements: Sheet: 29.4 x 22.6 cm (11 9/16 x 8 7/8 in.)
state of the work:	
edition of the work: 	

support materials:

	description:	laid paper (drawing executed on the felt side)
	watermarks:	

inscriptions:

	inscription:	Inscribed lower left in graphite:  43
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	[Shepherd Gallery, NY, May 1977]
	date: 
	footnotes: 	
	citations: 	


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digital description:


wall description:

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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2010.243/2010.243_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2010.243/2010.243_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2010.243/2010.243_full.tif