{
    "data": {
        "id": 168726,
        "accession_number": "2010.432",
        "share_license_status": "CC0",
        "tombstone": "Male figure (nkisi nkondi), late 1800s-early 1900s. Democratic Republic of Congo or Cabinda (Angola), Kongo artist and nganga (priest). Wood, metalized glass, iron, organic material, ivory or plastic, and natural fiber; overall: 46 x 25.7 x 19.2 cm (18 1/8 x 10 1/8 x 7 9/16 in.). The Cleveland Museum of Art, Ren\u00e9 and Odette Delenne Collection, Leonard C. Hanna Jr. Fund, 2010.432",
        "current_location": null,
        "title": "Male figure (nkisi nkondi)",
        "creation_date": "late 1800s-early 1900s",
        "creation_date_earliest": 1880,
        "creation_date_latest": 1920,
        "artists_tags": [],
        "culture": [
            "Democratic Republic of Congo or Cabinda (Angola), Kongo artist and nganga (priest)"
        ],
        "technique": "Wood, metalized glass, iron, organic material, ivory or plastic, and natural fiber",
        "support_materials": [],
        "department": "African Art",
        "collection": "African Art",
        "type": "Sculpture",
        "measurements": "Overall: 46 x 25.7 x 19.2 cm (18 1/8 x 10 1/8 x 7 9/16 in.)",
        "dimensions": {
            "overall": {
                "height": 0.46,
                "width": 0.257,
                "depth": 0.192
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 202001,
                    "title": "Fragments of the Invisible: The Ren\u00e9 and Odette Delenne Collection of Congo Sculpture",
                    "description": "<i>Fragments of the Invisible: The Ren\u00e9 and Odette Delenne Collection of Congo Sculpture</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27, 2013-February 9, 2014).",
                    "opening_date": "2013-10-27T00:00:00"
                },
                {
                    "id": 443702,
                    "title": "Currents and Constellations: Black Art in Focus",
                    "description": "<i>Currents and Constellations: Black Art in Focus</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 20-June 26, 2022).",
                    "opening_date": "2022-02-20T05:00:00"
                },
                {
                    "id": 453007,
                    "title": "Julie Mehretu: Portals",
                    "description": "<i>Julie Mehretu: Portals</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 16-November 13, 2022).",
                    "opening_date": "2022-07-16T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Jean Willy Mestach [1926-2014], Brussels, Belgium, sold to Ren\u00e9 and Odette Delenne",
                "citations": [],
                "footnotes": [],
                "date": "?\u20131962",
                "sortorder": 1
            },
            {
                "description": "Ren\u00e9 [1901\u20131998] and Odette Delenne [1925\u20132012], Brussels, Belgium, 2010, sold to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": null,
                "date": "1962\u20132010",
                "sortorder": 2
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "2010\u2013",
                "sortorder": 3
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "A mix of locally made and imported metal nails, blades, and screws cover this figure.",
        "description": "This <em>nkisi nkondi</em> (power figure) lacks most of the materials that transformed it into a vessel for a spirit. Carved by sculptors, <em>minkisi </em>hosted spirits after <em>banganga</em> (priests) placed substances inside to empower them. The mirrored eyes, resin cap, and stomach chamber once contained empowering materials. After the nkisi had served its purpose the <em>nganga</em> removed the materials, stripping it of its spiritual power; the remaining sculpture was discarded. Sometimes, Kongo people removed materials as acts of anti-colonial resistance, disempowering minkisi before Europeans seized them. While we don\u2019t know why it was disempowered, this sculpture is no longer spiritually active.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q80075059"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-2010.432-male-figure-nkisi-nk"
            ]
        },
        "citations": [
            {
                "citation": "Petridis, Constantine, et al. <em>Fragments of the Invisible</em>: <em>The Rene\u0301 and Odette Delenne Collection of Congo Sculpture.</em> Cleveland, OH: Cleveland Museum of Art. Milan: 5 Continents Editions, 2013, 23, 51, 96.",
                "page_number": "Mentioned: pp. 23, 46-47, 113; reproduced: pp. 51, 96, cat. 12",
                "url": null
            },
            {
                "citation": "Smith, Fred T., Judith Perani, Joseph L. Underwood, and Martha J. Ehrlich. The Visual Arts of Africa : Gender, Power, and Life Cycle Rituals. Second edition. New York: Oxford University Press, 2022.",
                "page_number": "Mentioned and reproduced: p. 252, no. 9.2",
                "url": ""
            }
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        "url": "https://clevelandart.org/art/2010.432",
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        "creditline": "Ren\u00e9 and Odette Delenne Collection, Leonard C. Hanna Jr. Fund",
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        "alternate_titles": [
            "Male Figure"
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        "updated_at": "2026-03-27 00:05:52.688000"
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