{
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        "id": 168746,
        "accession_number": "2010.450",
        "share_license_status": "CC0",
        "tombstone": "Mask (hemba), late 1800s\u2013early 1900s. Africa, Central Africa, Democratic Republic of Congo, Suku-style carver. Wood, reed, paint, and metal; overall: 50 x 25 x 27.2 cm (19 11/16 x 9 13/16 x 10 11/16 in.). The Cleveland Museum of Art, Ren\u00e9 and Odette Delenne Collection, Leonard C. Hanna Jr. Fund, 2010.450",
        "current_location": null,
        "title": "Mask (hemba)",
        "creation_date": "late 1800s\u2013early 1900s",
        "creation_date_earliest": 1880,
        "creation_date_latest": 1920,
        "artists_tags": [],
        "culture": [
            "Africa, Central Africa, Democratic Republic of Congo, Suku-style carver"
        ],
        "technique": "Wood, reed, paint, and metal",
        "support_materials": [],
        "department": "African Art",
        "collection": "African Art",
        "type": "Mask",
        "measurements": "Overall: 50 x 25 x 27.2 cm (19 11/16 x 9 13/16 x 10 11/16 in.)",
        "dimensions": {
            "overall": {
                "height": 0.5,
                "width": 0.25,
                "depth": 0.272
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 202001,
                    "title": "Fragments of the Invisible: The Ren\u00e9 and Odette Delenne Collection of Congo Sculpture",
                    "description": "<i>Fragments of the Invisible: The Ren\u00e9 and Odette Delenne Collection of Congo Sculpture</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27, 2013-February 9, 2014).",
                    "opening_date": "2013-10-27T00:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Soci\u00e9t\u00e9 des Expositions du Palais des Beaux-Arts, Brussels, Belgium (March 25 \u2013 June 5, 1988)",
                    "opening_date": "1988-06-05T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "C. Pr\u00e9vost [?-1994], before 1965-1968, sold to Marcel Dumoulin",
                "citations": [],
                "footnotes": null,
                "date": "?-1968",
                "sortorder": 1
            },
            {
                "description": "Marcel Dumoulin, Brussels, Belgium, 1965-1968, sold to Ren\u00e9 and Odette Delenne",
                "citations": [],
                "footnotes": [],
                "date": "?-1968",
                "sortorder": 2
            },
            {
                "description": "Ren\u00e9 [1901-1998] and Odette Delenne [1925-2012], Brussels, Belgium, 2010, sold to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": null,
                "date": "1968-2010",
                "sortorder": 3
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH, 2010",
                "citations": [],
                "footnotes": [],
                "date": "2010",
                "sortorder": 4
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "Suku helmet masks are often used in initiation ceremonies for young men in the society.",
        "description": "Suku helmet masks are often used in initiation ceremonies for young men in the society. Helmet masks such as this represent images of deceased elders in the society. They are to ensure successful hunting, help cure illnesses, and protect its wearer from evil. The animal shaped like a gazelle or antelope is typically associated with folktales, proverbs, and personal hunting exploits.",
        "external_resources": {
            "wikidata": [],
            "internet_archive": [
                "https://archive.org/details/clevelandart-2010.450-mask-hemba"
            ]
        },
        "citations": [
            {
                "citation": "Bastin, Marie-Louise, et al. <em>Utotombo. L'Art d'Afrique noire dans les collections priv\u00e9es belges: Socie\u0301te\u0301 des Expositions du Palais des Beaux-Arts, Bruxelles, 25 mars-5 juin 1988</em>, 99. Exh. Cat. Brussels: Soci\u00e9t\u00e9 des Expositions du Palais des Beaux-Arts, March 25-June 5, 1988.",
                "page_number": "Reproduced: p. 99, cat. XXXI",
                "url": null
            },
            {
                "citation": "Petridis, Constantine. \"Ren\u00e9 and Odette Delenne.\" In <em>Tribal Art</em> XV-4, no. 61 (Autumn 2011): 121.",
                "page_number": "Reproduced: p. 121, fig. 7",
                "url": null
            },
            {
                "citation": "Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 53 no. 05, September/October 2013",
                "page_number": "Mentioned & reproduced: p. 3",
                "url": "https://archive.org/details/CMAMM2013-05/page/n1"
            },
            {
                "citation": "Petridis, Constantine, et al. <em>Fragments of the Invisible: The Rene\u0301 and Odette Delenne Collection of Congo Sculpture.</em> Cleveland, OH: Cleveland Museum of Art. Milan: 5 Continents Editions, 2013, 19, 24, 29, 44, 120.",
                "page_number": "Reproduced: pp. 63, 120; mentioned: p. 113-114, cat. 23",
                "url": null
            },
            {
                "citation": "\"In Case You Missed It: Fragments of the Invisible.\" The International Review of African American Art 25, no. 1 (2014): 10-11.",
                "page_number": "Reproduced: p. 10.",
                "url": null
            }
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        "updated_at": "2026-03-27 00:07:01.292000"
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