{
"data": {
"id": 168754,
"accession_number": "2010.456",
"share_license_status": "CC0",
"tombstone": "Pendant, late 1800s\u2013early 1900s. Africa, Central Africa, Democratic Republic of Congo, Luba-style maker. Ivory; overall: 8.6 x 2.3 x 4.5 cm (3 3/8 x 7/8 x 1 3/4 in.). The Cleveland Museum of Art, Ren\u00e9 and Odette Delenne Collection, Leonard C. Hanna Jr. Fund, 2010.456",
"current_location": null,
"title": "Pendant",
"creation_date": "late 1800s\u2013early 1900s",
"creation_date_earliest": 1880,
"creation_date_latest": 1920,
"artists_tags": [],
"culture": [
"Africa, Central Africa, Democratic Republic of Congo, Luba-style maker"
],
"technique": "Ivory",
"support_materials": [],
"department": "African Art",
"collection": "African Art",
"type": "Jewelry",
"measurements": "Overall: 8.6 x 2.3 x 4.5 cm (3 3/8 x 7/8 x 1 3/4 in.)",
"dimensions": {
"overall": {
"height": 0.086,
"height_inch": 3,
"height_inch_fraction": 0.375,
"width": 0.023,
"width_inch": 0,
"width_inch_fraction": 0.875,
"depth": 0.045,
"depth_inch": 1,
"depth_inch_fraction": 0.75
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 202001,
"title": "Fragments of the Invisible: The Ren\u00e9 and Odette Delenne Collection of Congo Sculpture",
"description": "Fragments of the Invisible: The Ren\u00e9 and Odette Delenne Collection of Congo Sculpture. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27, 2013-February 9, 2014).",
"opening_date": "2013-10-27T00:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "(Marcel Dumoulin, Brussels, BE, 1965, sold to Ren\u00e9 and Odette Delenne)",
"citations": [],
"footnotes": null,
"date": "?-1965",
"sortorder": 1
},
{
"description": "Ren\u00e9 [1901-1998] and Odette Delenne [1925-2012], Brussels, BE, 2010, sold to the Cleveland Museum of Art",
"citations": [],
"footnotes": [],
"date": "1965-2010",
"sortorder": 2
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH, 2010",
"citations": [],
"footnotes": null,
"date": "2010",
"sortorder": 3
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The caramel-colored patina of the ivory indicates the frequent usage of the pendant.",
"early_education_description": null,
"artlens_description": null,
"description": "Luba pendants made in ivory or bone were originally suspended on a cord and worn diagonally across the chest of a high-ranking member of society. Often accompanied by amulets, beads, or small antelope horns, they represented ancestral spirits and served as portals to ancestral wisdom and beneficence. Many of these diminutive figurines hold their hands to their breasts as a sign of the secrets and wisdom they contain.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q80075135"
],
"internet_archive": [
"https://archive.org/details/clevelandart-2010.456-pendant"
]
},
"citations": [
{
"citation": "Petridis, Constantine, et al. Fragments of the Invisible: The Rene\u0301 and Odette Delenne Collection of Congo Sculpture. Cleveland, OH: Cleveland Museum of Art. Milan: 5 Continents Editions, 2013, 84.",
"page_number": "Mentioned: pp. 81, 114; reproduced: p. 84, cat. 28",
"url": null
}
],
"url": "https://clevelandart.org/art/2010.456",
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"creditline": "Ren\u00e9 and Odette Delenne Collection, Leonard C. Hanna Jr. Fund",
"image_credit": null,
"sketchfab_id": null,
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"gallery_donor_text": null,
"athena_id": 168754,
"creators": [],
"legal_status": "accessioned",
"accession_date": "2010-09-07T04:00:00Z",
"sortable_date": 1880,
"date_added_to_oa": null,
"date_text": "late 1800s\u2013early 1900s",
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"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [
"Half-Figure (Pendant)"
],
"is_highlight": false,
"updated_at": "2026-07-28 15:33:41.245000"
}
}