id: 168764
accession number: 2010.461
share license status: CC0
url: https://clevelandart.org/art/2010.461
updated: 2024-08-08 15:18:00.350000
Portrait of Anne Law (née Towry), 1st Lady Ellenborough, c. 1821. John Linnell (British, 1792–1882). Watercolor on ivory heightened with gum arabic; framed: 23.4 x 20.7 cm (9 3/16 x 8 1/8 in.); unframed: 11.3 x 8.5 cm (4 7/16 x 3 3/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund 2010.461
title: Portrait of Anne Law (née Towry), 1st Lady Ellenborough
title in original language:
series:
series in original language:
creation date: c. 1821
creation date earliest: 1816
creation date latest: 1826
current location:
creditline: Dudley P. Allen Fund
copyright:
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culture: England, 19th century
technique: watercolor on ivory heightened with gum arabic
department: Modern European Painting and Sculpture
collection: Mod Euro - Painting 1800-1960
type: Portrait Miniature
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catalogue raisonne:
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CREATORS
* John Linnell (British, 1792–1882) - artist
The precocious son of a Bloomsbury frame maker, John Linnell entered the Royal Academy schools in 1805 at the same time that he began studying with influential watercolor painter and drawing master John Varley (1778-1842). Under Varley's tutelage, but primarily in the company of fellow student William Mulready (1786-1863), Linnell mastered plein-air landscape painting. His studies at the Kensington gravel pits (ca. 1812) and other locales in and around London are remarkable for the intensity and novelty of their naturalistic observation. From 1807 Linnell was a regular contributor of landscape and portrait paintings at the Royal Academy, the British Institution, and the Society of Painters in Watercolours. His conversion to the Baptist faith in 1811 intensified his conviction that meticulous landscape realism was a moral act pursued as a duty to God's creation. Primarily for financial reasons, Linnell painted his first miniature portrait in 1816, after which portraiture in all media tended to dominate his professional production for several decades. In 1818 he befriended William Blake (1757-1827), virtually supporting that irascible genius during his last years with important commissions, including The Book of Job engravings and the 102 watercolor illustrations to Dante's Divine Comedy. Linnell's commitment to landscape painting as a spiritual art profoundly influenced the visionary early work of his pupil and future son-in-law, Samuel Palmer (1805-1881). In the 1840s, but especially after 1851, when he moved his family to Redhill in Surrey, Linnell resumed landscape painting. Many of his later pictures had literal or implied religious subject matter, and although they were not always successful commercially, they established Linnell as one of the masters of the pastoral landscape tradition in the nineteenth century.
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measurements: Framed: 23.4 x 20.7 cm (9 3/16 x 8 1/8 in.); Unframed: 11.3 x 8.5 cm (4 7/16 x 3 3/8 in.)
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CURRENT EXHIBITIONS
title: Disembodied: Portrait Minatures and their Contemporary Relatives
opening date: 2013-11-10T00:00:00
Disembodied: Portrait Minatures and their Contemporary Relatives. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 10, 2013-February 16, 2014).
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LEGACY EXHIBITIONS
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PROVENANCE
Anne Law, 1st Lady Ellenborough (née Towry, c. 1769–1843), by inheritance to her daughter, Frederica Selina Ramsden
date: c. 1821-1843
footnotes:
citations:
Frederica Selina Ramsden (née
Law, 1805–1879), Oxton Hall, Yorkshire, by inheritance to her son John Charles Francis Ramsden
date: 1843-79
footnotes:
citations:
John Charles Francis Ramsden
(1835–1910), Willinghurst, Surrey, by inheritance to his son Capt. Frederick William Ramsden
date: 1879-1910
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citations:
Capt. Frederick William Ramsden (1871–1958), Willinghurst, Surrey, by inheritance to his daughter Moyra Gwendolin Russell-Clarke
date: 1910-1958
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citations:
Moyra Gwendolin Russell-Clarke (née Ramsden, 1900–1981), by inheritance to her great-niece Julia Ann Llewellyn
date: 1958-81
footnotes:
citations:
Julia Ann Llewellyn (née Cooke, b. 1948), London, England
date: 1981-2010
footnotes:
citations:
(Sale: Bonhams (Knightsbridge) on November 24, 2010, lot 189).
date: November 24, 2010
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citations:
The Cleveland Museum of Art, Cleveland, OH
date: 2010-
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citations:
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RELATED WORKS
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CITATIONS
Korkow, Cory, and Dario Robleto. Disembodied: Portrait Miniatures and Their Contemporary Relatives. 2013.
page number: Mentioned: p. 84
url:
Korkow, Cory, and Jon L. Seydl. British Portrait Miniatures: The Cleveland Museum of Art. 2013.
page number: Cat. no. 71, pp. 271-274
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/2010.461/2010.461_web.jpg
print: https://openaccess-cdn.clevelandart.org/2010.461/2010.461_print.jpg
full: https://openaccess-cdn.clevelandart.org/2010.461/2010.461_full.tif