id:			168945
accession number:	2010.620
share license status:	CC0
url:			https://clevelandart.org/art/2010.620
updated:		2023-08-24 00:46:23.401000

London Types: Sandwich Man, 1898. William Nicholson (British, 1872–1949). Color lithograph; sheet: 32.7 x 27.6 cm (12 7/8 x 10 7/8 in.); image: 25.5 x 23.1 cm (10 1/16 x 9 1/8 in.). The Cleveland Museum of Art, Gift of John Bonebrake 2010.620

title:				London Types: Sandwich Man
title in original language:	
series:				
series in original language:	
creation date:			1898
creation date earliest:		1898
creation date latest:		1898
current location:		
creditline:			Gift of John Bonebrake
copyright:			

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culture:	England, 19th century
technique:	color lithograph
department:	Prints
collection:	PR - Lithograph
type:		Print
find spot:	
catalogue raisonne: Campbell, 53C

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CREATORS

* William Nicholson (British, 1872–1949)  - artist

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measurements: Sheet: 32.7 x 27.6 cm (12 7/8 x 10 7/8 in.); Image: 25.5 x 23.1 cm (10 1/16 x 9 1/8 in.)
state of the work:	
edition of the work: 	

support materials:

	description:	wove paper
	watermarks:	

inscriptions:

	inscription:	Lower margin, in pencil (not artist's hand): "Nicholson London Types 1898 Sandwich Man 45"
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		A Passion for Prints: The John Bonebrake Donation
	opening date:   2011-10-02T00:00:00
	<i>A Passion for Prints: The John Bonebrake Donation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2, 2011-January 29, 2012).

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LEGACY EXHIBITIONS

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PROVENANCE

	Barbara Davidson Fine Arts, Mercer Island, WA, 1 /24 /1984; John Bonebrake, Cleveland, OH
	date: 
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:
<em>London Types</em> celebrates the affection residents felt for their city at the end of the 19th century. The series includes many depictions of women because the publisher William Heinemann, a strong supporter of the struggle for equality, advised the artist to represent both sexes equally. The scenes document London of the 1890s with contemporary references. For example, the <em>Sandwich Man</em> advertises a vast painting of the Ecce Homo by the Hungarian artist Mihály Munkácsy, which was on view at the Dowdeswell Galleries in New Bond Street at the time.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2010.620/2010.620_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2010.620/2010.620_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2010.620/2010.620_full.tif