id: 169270 accession number: 2011.15 share license status: Copyrighted url: https://clevelandart.org/art/2011.15 updated: 2023-03-22 03:04:47.604000 Study: "Waterfall, Chelsea Hotel, NY", 1978. Ching Ho Cheng (American, 1946–1989). Gouache ; image: 68 x 53.5 cm (26 3/4 x 21 1/16 in.); paper: 73.6 x 58.5 cm (29 x 23 1/16 in.). The Cleveland Museum of Art, Gift of the Ching Ho Cheng Estate 2011.15 © Artists Rights Society (ARS), New York title: Study: "Waterfall, Chelsea Hotel, NY" title in original language: series: series in original language: creation date: 1978 creation date earliest: 1978 creation date latest: 1978 current location: creditline: Gift of the Ching Ho Cheng Estate copyright: © Artists Rights Society (ARS), New York --- culture: America, 20th century technique: gouache department: Drawings collection: DR - American 20th Century type: Drawing find spot: catalogue raisonne: --- CREATORS * Ching Ho Cheng (American, 1946–1989) - artist --- measurements: Image: 68 x 53.5 cm (26 3/4 x 21 1/16 in.); Paper: 73.6 x 58.5 cm (29 x 23 1/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: on verso, lower margin, in graphite: "Waterfall, Chelsea Hotel, NY" Study; at lower right, in black ink: [artist's thumb print] translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Ching Ho Cheng Estate, New York, given to the Cleveland Museum of Art date: 1978-2011 footnotes: citations: --- fun fact: Drawings such as this one have been described by Ching Ho Cheng’s sister, Sybao, as being “about contemplation and about self-transformation.” digital description: Born to a Chinese diplomat family in Cuba, Ching Ho Cheng spent much of his career in New York City, where he was involved in the city’s artistic scene from the 1960s through the ‘80s. The style of his artworks varied widely through the decades, but he consistently preferred to work on paper, resulting in drawings such as this one. It belongs to a series that Ching created in opaque gouache presenting subtle, everyday subjects in exacting detail. Here, the artist represented the cracked paint and droplets of moisture in the shower of his then lover Gregory Millard at the famed Chelsea hotel, known at the time for its vibrant avant-garde social scene. The viewer is situated as if entering the shower, a vantage point that contributes to its poignant sense of stasis and quietude. wall description: --- RELATED WORKS --- CITATIONS --- IMAGES