id: 169465
accession number: 2011.3
share license status: CC0
url: https://clevelandart.org/art/2011.3
updated: 2024-08-15 15:28:31.470000
Settee, c. 1802–07. Thomas Hope (British, 1769–1831), Unknown Maker (British). Gilt-wood, reproduction wool upholstery; overall: 102.2 x 113 x 71.1 cm (40 1/4 x 44 1/2 x 28 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund 2011.3
title: Settee
title in original language:
series:
series in original language:
creation date: c. 1802–07
creation date earliest: 1797
creation date latest: 1812
current location: 203B British Painting and Decorative Arts
creditline: Leonard C. Hanna Jr. Fund
copyright:
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culture: England, 19th century
technique: gilt-wood, reproduction wool upholstery
department: Decorative Art and Design
collection: Furniture
type: Wood
find spot:
catalogue raisonne:
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CREATORS
* Thomas Hope (British, 1769–1831) - designer
* Unknown Maker (British) - maker
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measurements: Overall: 102.2 x 113 x 71.1 cm (40 1/4 x 44 1/2 x 28 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: British Gallery Reinstallation (June 2020)
opening date: 2020-06-30T04:00:00
British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer).
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LEGACY EXHIBITIONS
* {'description': 'Thomas Hope: Regency Designer. Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York (organizer) (July 17-November 16, 2008); Victoria and Albert Museum, London (March 21-June 22, 2008).', 'opening_date': '2008-03-21T00:00:00'}
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PROVENANCE
Presumably Thomas Hope [1769-1831], Duchess Street, London and later at Deepdene, Surrey, and by descent to his son;
date: c.1802-1831
footnotes:
citations:
Henry Thomas Hope [1808-1862] and by descent to his wife
date: 1831-1862
footnotes:
citations:
Anne Adele Bichat Hope [died 1884], by descent to her grandson
date: 1862-1884
footnotes:
citations:
Lord Henry Francis Hope Pelham-Clinton-Hope [1866-1941], later 8th Duke of Newcastle-under-Lyme
date: 1884-1917
footnotes:
citations:
(Christie’s, London, July 18, 1917, no. 293; bought by Bridge for £9 9s)
date: 1917
footnotes:
citations:
Whereabouts unknown
date: 1917-2001
footnotes:
citations:
(Gorringe’s Auctioneers, Lewes, Sussex, June 7, 2001, lot 1204, sold to H. Blairman & Sons and Jeremy Ltd, London)
date: 2001
footnotes:
citations:
(H. Blairman & Sons and Jeremy, Ltd., London)
date: 2001-?
footnotes:
citations:
Philip Hewat-Jaboor [born 1953]; sold by (Carlton Hobbs, Ltd., New York, as agent) to the Cleveland Museum of Art, Cleveland, OH
date: -2011
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 2011-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Hanson, Robin. “Behind the Scenes: A day in the textile conservation lab.” Cleveland Art: Cleveland Museum of Art Members Magazine 62, no. 1: 22-23.
page number: Reproduced and Mentioned: P. 22.
url:
Hope, Thomas, and Thomas Ustick Walter. Household Furniture and Interior Decoration. London: Printed by T. Bensley ... for Longman, Hurst, Rees, and Orme, 1807.
page number:
url:
Watkin, David, Philip Hewat-Jaboor, Daniella Ben-Arie, and Elizabeth Angelicoussis. Thomas Hope: Regency Designer. New Haven [Conn.]: Yale University Press [for] The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York, 2008.
page number: p. 402-403
url:
Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.
page number: Mentioned and reproduced: P. 139
url:
Lennard, Frances, Patricia Ewer, and Laura Mina. Textile Conservation: Advances in Practice. Abingdon, Oxon : Routledge, 2024.
page number: Mentioned and reproduced: pp. 583-591, fig. 8.3.1 & fig. 8.3.3
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/2011.3/2011.3_web.jpg
print: https://openaccess-cdn.clevelandart.org/2011.3/2011.3_print.jpg
full: https://openaccess-cdn.clevelandart.org/2011.3/2011.3_full.tif