id: 169465 accession number: 2011.3 share license status: CC0 url: https://clevelandart.org/art/2011.3 updated: 2024-03-26 02:01:28.685000 Settee, c. 1802–07. Thomas Hope (British, 1769–1831), Unknown Maker (British). Gilt-wood, reproduction wool upholstery; overall: 102.2 x 113 x 71.1 cm (40 1/4 x 44 1/2 x 28 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 2011.3 title: Settee title in original language: series: series in original language: creation date: c. 1802–07 creation date earliest: 1797 creation date latest: 1812 current location: 203B British Painting and Decorative Arts creditline: Leonard C. Hanna, Jr. Fund copyright: --- culture: England, 19th century technique: gilt-wood, reproduction wool upholstery department: Decorative Art and Design collection: Furniture type: Wood find spot: catalogue raisonne: --- CREATORS * Thomas Hope (British, 1769–1831) - designer * Unknown Maker (British) - maker --- measurements: Overall: 102.2 x 113 x 71.1 cm (40 1/4 x 44 1/2 x 28 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: British Gallery Reinstallation (June 2020) opening date: 2020-06-30T04:00:00 British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer). --- LEGACY EXHIBITIONS * {'description': 'Thomas Hope: Regency Designer. Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York (organizer) (July 17-November 16, 2008); Victoria and Albert Museum, London (March 21-June 22, 2008).', 'opening_date': '2008-03-21T00:00:00'} --- PROVENANCE Presumably Thomas Hope [1769-1831], Duchess Street, London and later at Deepdene, Surrey, and by descent to his son; date: c.1802-1831 footnotes: citations: Henry Thomas Hope [1808-1862] and by descent to his wife date: 1831-1862 footnotes: citations: Anne Adele Bichat Hope [died 1884], by descent to her grandson date: 1862-1884 footnotes: citations: Lord Henry Francis Hope Pelham-Clinton-Hope [1866-1941], later 8th Duke of Newcastle-under-Lyme date: 1884-1917 footnotes: citations: (Christie’s, London, July 18, 1917, no. 293; bought by Bridge for £9 9s) date: 1917 footnotes: citations: Whereabouts unknown date: 1917-2001 footnotes: citations: (Gorringe’s Auctioneers, Lewes, Sussex, June 7, 2001, lot 1204, sold to H. Blairman & Sons and Jeremy Ltd, London) date: 2001 footnotes: citations: (H. Blairman & Sons and Jeremy, Ltd., London) date: 2001-? footnotes: citations: Philip Hewat-Jaboor [born 1953]; sold by (Carlton Hobbs, Ltd., New York, as agent) to the Cleveland Museum of Art, Cleveland, OH date: -2011 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 2011- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Hanson, Robin. “Behind the Scenes: A day in the textile conservation lab.” Cleveland Art: Cleveland Museum of Art Members Magazine 62, no. 1: 22-23. page number: Reproduced and Mentioned: P. 22. url: Hope, Thomas, and Thomas Ustick Walter. Household Furniture and Interior Decoration. London: Printed by T. Bensley ... for Longman, Hurst, Rees, and Orme, 1807. page number: url: Watkin, David, Philip Hewat-Jaboor, Daniella Ben-Arie, and Elizabeth Angelicoussis. Thomas Hope: Regency Designer. New Haven [Conn.]: Yale University Press [for] The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York, 2008. page number: p. 402-403 url: Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. page number: Mentioned and reproduced: P. 139 url: Lennard, Frances, Patricia Ewer, and Laura Mina. Textile Conservation: Advances in Practice. Abingdon, Oxon : Routledge, 2024. page number: Mentioned and reproduced: pp. 583-591, fig. 8.3.1 & fig. 8.3.3 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/2011.3/2011.3_web.jpg print: https://openaccess-cdn.clevelandart.org/2011.3/2011.3_print.jpg full: https://openaccess-cdn.clevelandart.org/2011.3/2011.3_full.tif