id: 169470 accession number: 2011.303 share license status: Copyrighted url: https://clevelandart.org/art/2011.303 updated: 2023-08-24 00:50:06.337000 Artifact 15:8 1991 R15/+ Artifact 8:4 1988 R8/, 2001. Patrick Nagatani (American, 1945–2017). Gelatin silver print; paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos 2011.303 © Patrick Nagatani title: Artifact 15:8 1991 R15/+ Artifact 8:4 1988 R8/ title in original language: series: series in original language: creation date: 2001 creation date earliest: 2001 creation date latest: 2001 current location: creditline: Gift of George Stephanopoulos copyright: © Patrick Nagatani --- culture: America, 21st century technique: gelatin silver print department: Photography collection: PH - American 1951-Present type: Photograph find spot: catalogue raisonne: --- CREATORS * Patrick Nagatani (American, 1945–2017) - artist --- measurements: Paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed, titled, dated and numbered 27/30 in ink in the margin translation: remark: --- CURRENT EXHIBITIONS title: Constructed Identities opening date: 2014-12-14T00:00:00 Constructed Identities. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 14, 2014-April 26, 2015). --- LEGACY EXHIBITIONS --- PROVENANCE George Stephanopoulos date: footnotes: citations: --- fun fact: digital description: wall description: Which is more useful to humanity: fact or myth, science or faith? This question is central to the saga imagined and brought to life by Nagatani of the archeological explorations led by the artist’s alter ego, Japanese scientist Ryoichi. Traveling the globe between 1985 and 2000, Ryoichi’s team locates and documents 13 of 30 archeological sites, each of which contains a remarkably well-preserved, low-mileage automobile that must have been buried there centuries earlier. Photographs, stills from video documentation, artifacts, and pages from Ryoichi’s journal serve as scientific "proof" that time may not be linear. "If fiction has given more to us than fact, then this is the greatest truth," writes Ryoichi/Nagatani in his journal at the thirteenth and final site. --- RELATED WORKS --- CITATIONS --- IMAGES