id:			170049
accession number:	2012.274
share license status:	CC0
url:			https://clevelandart.org/art/2012.274
updated:		2019-11-18 12:39:45.055000

Sketches at Home and Abroad: Falls of Terni, 1830. James Duffield Harding (British, 1798-1863), Charles Tilt, Fleet Street, London. Lithograph with tint stone; sheet: 39.2 x 27.9 cm (15 7/16 x 11 in.); image: 39.2 x 27.9 cm (15 7/16 x 11 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.274

title:				Sketches at Home and Abroad: Falls of Terni
title in original language:	
series:				
series in original language:	
creation date:			1830
creation date earliest:		1830
creation date latest:		1830
current location:		
creditline:			Bequest of John Bonebrake
copyright:			

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culture:	England, 19th century
technique:	lithograph with tint stone
department:	Prints
collection:	PR - Lithograph
type:		Print
find spot:	
catalogue raisonne: Abbey 29:6

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CREATORS

* James Duffield Harding (British, 1798-1863)  - artist

* Charles Tilt, Fleet Street, London  - published by

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measurements: Sheet: 39.2 x 27.9 cm (15 7/16 x 11 in.); Image: 39.2 x 27.9 cm (15 7/16 x 11 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	inscribed lower left in stone: Falls of Terni, Octr. 1830, J.D.H.
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		A Passion for Prints: The John Bonebrake Donation
	opening date:   2011-10-02T00:00:00
	<i>A Passion for Prints: The John Bonebrake Donation</i>. The Cleveland Museum of Art (organizer) (October 2, 2011-January 29, 2012).

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LEGACY EXHIBITIONS

* The Cleveland Museum of Art (10/02/2011- 01/29/2012): "A Passion for Prints:The John Bonebrake Donation"

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PROVENANCE

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fun fact: 


digital description: 


wall description: 
A watercolor painter and printmaker, Harding was one of the best-known artists of his day in England. A popular instructor, he taught poetry of landscape painting, admonishing his students to "produce as near a likeness to Nature, in every respect, as the instrument, or material employed, will admit of; not so much by bonâ fide imitation, as by reviving in the mind those ideas which are awakened by a contemplation of Nature . . . The renewal of those feelings constitutes the true purpose of Art." Harding began to draw on colored paper in 1830 and copied this effect in lithography by utilizing a second stone printed in gray or ocher. Unlike the drawings, however, the color in the prints is not merely a background for the design but is an active element in it. To achieve an appearance of wash and delicate effects, Harding worked with the leading lithographic printer in London at the time, Charles Hullmandel, who improved and developed many new printing techniques.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2012.274/2012.274_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2012.274/2012.274_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2012.274/2012.274_full.tif