id: 170126
accession number: 2012.337
share license status: Copyrighted
url: https://clevelandart.org/art/2012.337
updated: 2025-02-09 07:01:30.613000
Video Site Documentation: Lexus Fire Pit Site, Sonoran Desert, Arizona, U.S.A.
, 1985. Patrick Nagatani (American, 1945–2017). Chromogenic (Fujicolor Crystal Archive) print; image: 18.1 x 23.9 cm (7 1/8 x 9 7/16 in.); paper: 20.2 x 25.3 cm (7 15/16 x 9 15/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos 2012.337 © Patrick Nagatani
title: Video Site Documentation: Lexus Fire Pit Site, Sonoran Desert, Arizona, U.S.A.
title in original language:
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series in original language:
creation date: 1985
creation date earliest: 1985
creation date latest: 1985
current location:
creditline: Gift of George Stephanopoulos
copyright: © Patrick Nagatani
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culture: America
technique: chromogenic (Fujicolor Crystal Archive) print
department: Photography
collection: PH - American 1951-Present
type: Photograph
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CREATORS
* Patrick Nagatani (American, 1945–2017) - artist
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measurements: Image: 18.1 x 23.9 cm (7 1/8 x 9 7/16 in.); Paper: 20.2 x 25.3 cm (7 15/16 x 9 15/16 in.)
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inscriptions:
inscription: Written in black marker in bottom margin of recto: "LEXUS FIRE PIT SITE, SONORAN DESERT, ARIZONA, U.S.A. 1985/2001 22/30 PATRICK NAGATANI (signed)"
translation:
remark:
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CURRENT EXHIBITIONS
title: Constructed Identities
opening date: 2014-12-14T00:00:00
Constructed Identities. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 14, 2014-April 26, 2015).
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LEGACY EXHIBITIONS
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PROVENANCE
Unknown before acquisition by George Stephanopoulos.
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RELATED WORKS
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CITATIONS
Tannenbaum, Barbara. "Constructed Identities: A new exhibition explores photography's power to create a persona.” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 55, no. 1 (January/February 2015): 6-7.
page number: Reproduced: p. 6; Mentioned: p. 7.
url: https://archive.org/details/CMAMM2015-01
Fensom, Sarah E. "I.D., Please: An Eclectic Exhibition at the Cleveland Museum of Art Focuses on the Way Photorgraphers Both Establish and Subvert their Subjects' Identities." Art & Antiques 38, no. 2 (February 2015): 64-68.
page number: 65
url:
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IMAGES