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        "tombstone": "Head of a Young Woman, early 1730s. Fran\u00e7ois Boucher (French, 1703\u20131770). Oil on canvas; framed: 47 x 40 x 6 cm (18 1/2 x 15 3/4 x 2 3/8 in.); unframed: 32.4 x 25.6 cm (12 3/4 x 10 1/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin, 2012.95",
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        "title": "Head of a Young Woman",
        "creation_date": "early 1730s",
        "creation_date_earliest": 1730,
        "creation_date_latest": 1735,
        "artists_tags": [
            "male"
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        "culture": [
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        "technique": "oil on canvas",
        "support_materials": [],
        "department": "European Painting and Sculpture",
        "collection": "P - French 18th Century",
        "type": "Painting",
        "measurements": "Framed: 47 x 40 x 6 cm (18 1/2 x 15 3/4 x 2 3/8 in.); Unframed: 32.4 x 25.6 cm (12 3/4 x 10 1/16 in.)",
        "dimensions": {
            "framed": {
                "height": 0.47,
                "height_inch": 18,
                "height_inch_fraction": 0.5,
                "width": 0.4,
                "width_inch": 15,
                "width_inch_fraction": 0.75,
                "depth": 0.06,
                "depth_inch": 2,
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                "height": 0.324,
                "height_inch": 12,
                "height_inch_fraction": 0.75,
                "width": 0.256,
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                "description": "Mrs. Muriel Spiro Butkin (1915-2008), Shaker Heights, OH",
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                "footnotes": null,
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        "creditline": "Bequest of Muriel Butkin",
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                "id": 1888,
                "description": "Fran\u00e7ois Boucher (French, 1703\u20131770)",
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                "role": "artist",
                "biography": "French Rococo artist who epitomizes the frivolous and elegant court life of France in the mid-18th century. During his early career he was closely associated with Watteau, many of whose paintings he engraved. Boucher was a successful and incredibly prolific artistic who had a major impact on both fine and decorative art of the 18th century. He is particularly noted for having reinvented the genre of the pastoral, creating images of shepherds and shepherdesses as sentimental lovers that was taken up in a variety of medium. Boucher's sketchy manner of painting helped to promote painterliness as an end in itself. This trend dominated French painting until the emergence of Neoclassicism, when the tides of criticism turned against Boucher and his followers.",
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                "birth_year": "1703",
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        "sortable_date": 1730,
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        "alternate_titles": [
            "Portrait of a Woman"
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        "updated_at": "2026-08-22 11:53:18.289000"
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