id:			170645
accession number:	2013.190
share license status:	Copyrighted
url:			https://clevelandart.org/art/2013.190
updated:		2024-08-08 15:18:12.736000

Captain William Calley, 1971. Leonard Freed (American, 1929–2006). Vintage gelatin silver print; image: 23.5 x 16 cm (9 1/4 x 6 5/16 in.); paper: 25.2 x 20.2 cm (9 15/16 x 7 15/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos 2013.190 © Leonard Freed /Magnum Photos

title:				Captain William Calley
title in original language:	
series:				
series in original language:	
creation date:			1971
creation date earliest:		1971
creation date latest:		1971
current location:		
creditline:			Gift of George Stephanopoulos
copyright:			© Leonard Freed /Magnum Photos

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culture:	America, 20th century
technique:	vintage gelatin silver print
department:	Photography
collection:	PH - American 1951-Present
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Leonard Freed (American, 1929–2006)  - artist
Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929–2006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed’s photographs in this exhibition are from<em> Black in White America, </em>a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published <em>Black in White America</em> in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that “photography is about who you are. It’s the seeking of truth in relation to yourself.”
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measurements: Image: 23.5 x 16 cm (9 1/4 x 6 5/16 in.); Paper: 25.2 x 20.2 cm (9 15/16 x 7 15/16 in.)
state of the work:	
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support materials:


inscriptions:

	inscription:	written in pencil on verso: "1971 New York City, USA/Captain William Calley"
written in pencil on verso: "71-9-16-13"
written in pencil on verso: "LF-PW-138.01"
written in pencil on verso: "Leonard Freed (signed)"
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

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wall description:

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