id: 170788 accession number: 2013.295 share license status: CC0 url: https://clevelandart.org/art/2013.295 updated: 2022-09-10 11:52:41.022000 Portrait of a kneeling holy man, from the Prince Salim Album, c. 1556–60; border c. 1602. Attributed to Mir Sayyid Ali (Persian, active in India, 1555–1580). Opaque watercolor with gold on paper, laid down on an album page with cream borders decorated with gold flowers and geometric motifs; The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection 2013.295 title: Portrait of a kneeling holy man, from the Prince Salim Album title in original language: series: series in original language: creation date: c. 1556–60; border c. 1602 creation date earliest: 1555 creation date latest: 1565 current location: creditline: Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection copyright: --- culture: India, Mughal, 16th century technique: opaque watercolor with gold on paper, laid down on an album page with cream borders decorated with gold flowers and geometric motifs department: Indian and Southeast Asian Art collection: Indian Art - Mughal type: Painting find spot: catalogue raisonne: --- CREATORS * Mir Sayyid Ali (Persian, active in India, 1555–1580) - artist --- measurements: state of the work: edition of the work: support materials: inscriptions: inscription: Calligraphy above and below from a Persian homiletic qasida (composite ode in verse) by Hakim Sana’i (Persian, c. 1087–1130), in nasta‘liq script: If it were greed that led you to acquire learning, then be afraid, For at night, a thief with a torch can take away the choicest goods! translation: remark: --- CURRENT EXHIBITIONS title: Art and Stories from Mughal India opening date: 2016-07-31T04:00:00 Art and Stories from Mughal India. The Cleveland Museum of Art (organizer) (July 31-October 23, 2016). --- LEGACY EXHIBITIONS * On loan to the San Diego Museum of Art (2005)
The Cleveland Museum of Art (7/31/2016-10/23/2016) Art and Stories from Mughal India, cat. 2, p. 161. --- PROVENANCE Collection of Hagop Kevorkian (1872–1962), New York, before 1962 date: footnotes: citations: Sotheby’s, London, Highly Important Oriental Manuscripts and Miniatures: The Property of the Kevorkian Foundation, 6 December 1967, lot 47 date: footnotes: citations: --- fun fact: In this sensitive portrayal of a charlatan holy man, the eyes are pale and empty. digital description: wall description: One of the few surviving works that appear to have been made by an artist brought from Iran by Akbar’s father, Humayun, shortly after his arrival in Mughal India, this page was mounted into the Prince Salim Album in his breakaway court in Allahabad. The flowing lyrical contour lines, penetrating expression, and soft yet wiry texture of the beard reveal the hand of a master. The verse written above and below the painting is a quotation from a poetic sermon of the Persian author Sana’i, who lived about 1100: If it were greed that led you to acquire learning, then be afraid, For at night, a thief with a torch can take away the choicest goods! The calligraphy suggests that the kneeling figure is a charlatan holy man who wears the blue robe of a Sufi mystic and acts with humility and piety for monetary gain rather than sincerity of devotion. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/2013.295/2013.295_web.jpg print: https://openaccess-cdn.clevelandart.org/2013.295/2013.295_print.jpg full: https://openaccess-cdn.clevelandart.org/2013.295/2013.295_full.tif