id: 171455 accession number: 2014.253 share license status: CC0 url: https://clevelandart.org/art/2014.253 updated: 2025-02-09 07:14:03.598000 published in Vanity Fair Oct. 26, 1972: Vanity Fair: Statesman, No. 128 "Newcastle-on-Tyne", 1872. James Tissot (French, 1836–1902), Published in Vanity Fair, vol. VIII, July to December, 1872, p. 134. Mr. Joseph Cowen, M.P.. Color lithograph; sheet: 35.6 x 22.6 cm (14 x 8 7/8 in.); image: 30.9 x 19.1 cm (12 3/16 x 7 1/2 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2014.253 title: Vanity Fair: Statesman, No. 128 "Newcastle-on-Tyne" title in original language: series: published in Vanity Fair Oct. 26, 1972 series in original language: creation date: 1872 creation date earliest: 1872 creation date latest: 1872 current location: creditline: Bequest of John Bonebrake copyright: --- culture: France, 19th century technique: color lithograph department: Prints collection: PR - Lithograph type: Print find spot: catalogue raisonne: Wentworth, Michael. James Tissot, Catalogue Raisonné of His Prints (Minneapolis: Minneapolis Institu --- CREATORS * James Tissot (French, 1836–1902) - artist Son of a fabric merchant, Tissot left for Paris in 1856 in order to study at the École des Beaux-Arts under Louis Lamothe (1822-1869) and Hippolyte Flandrin (1809-1864). Just like Alma Tadema (q.v.), Tissot, in his early career, was influenced by Belgian history painter Henry Leys (1815-1869), which resulted in such paintings as those illustrating Goethe's Faust (1808-32). In Paris he became close friends with J. A. M. Whistler (1834-1903), Degas (q.v.), and later Morisot (q.v.) and Manet (q.v.). Tissot made his debut at the Salon of 1859, and in 1864 he showed his first works depicting scenes of modern life. He became quite successful, and by 1865 his financial troubles had disappeared. His fame had already spread to the other side of the Channel, and in 1864 he exhibited for the first time at the Royal Academy in London. Intrigued by Japanese art, Tissot amassed a renowned collection and painted some fashionable japonaiseries. In 1870 he fought in the Franco-Prussian War and joined the Paris Commune. He left the war-ravaged city in 1871 for London, where his success continued. Degas asked him to participate in the first impressionist exhibition in 1874, but he declined. Around 1875 he met Kathleen Newton, who became his companion until her death at age twenty-eight. Overcome with grief, he moved back to Paris. There he had a large solo exhibition in 1883 at the Palais de l'Industrie, showing paintings, works on paper, and enamels. Two years later he exhibited Quinze tableaux sur la femme à Paris, depicting the life of the modern urban woman. From that point on, Tissot became deeply involved with spiritualism and religion. He departed completely from secular subjects and began illustrating the life of Christ. * Published in Vanity Fair, vol. VIII, July to December, 1872, p. 134. Mr. Joseph Cowen, M.P. - published by --- measurements: Sheet: 35.6 x 22.6 cm (14 x 8 7/8 in.); Image: 30.9 x 19.1 cm (12 3/16 x 7 1/2 in.) state of the work: edition of the work: support materials: description: wove paper watermarks: inscriptions: inscription: Lower right, in graphite: Mr. Cowen MP translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/2014.253/2014.253_web.jpg print: https://openaccess-cdn.clevelandart.org/2014.253/2014.253_print.jpg full: https://openaccess-cdn.clevelandart.org/2014.253/2014.253_full.tif