{
"data": {
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"accession_number": "2014.392",
"share_license_status": "CC0",
"tombstone": "Virgin and Child, late 1200s. Mosan (Valley of the Meuse), Li\u00e8ge(?), late 13th century. Wood (oak) with polychromy and gilding; overall: 83 x 24 x 20 cm (32 11/16 x 9 7/16 x 7 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2014.392",
"current_location": "106C Medieval Treasury",
"title": "Virgin and Child",
"creation_date": "late 1200s",
"creation_date_earliest": 1250,
"creation_date_latest": 1299,
"artists_tags": [],
"culture": [
"Mosan (Valley of the Meuse), Li\u00e8ge(?), late 13th century"
],
"technique": "wood (oak) with polychromy and gilding",
"support_materials": [],
"department": "Medieval Art",
"collection": "MED - Medieval Art",
"type": "Sculpture",
"measurements": "Overall: 83 x 24 x 20 cm (32 11/16 x 9 7/16 x 7 7/8 in.)",
"dimensions": {
"overall": {
"height": 0.83,
"height_inch": 32,
"height_inch_fraction": 0.6875,
"width": 0.24,
"width_inch": 9,
"width_inch_fraction": 0.4375,
"depth": 0.2,
"depth_inch": 7,
"depth_inch_fraction": 0.875
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [],
"legacy": []
},
"provenance": [
{
"description": "Reportedly on the French art market",
"citations": [],
"footnotes": [],
"date": "1960s",
"sortorder": 1
},
{
"description": "Gustav Rau collection, Stuttgart, Germany, a noted philanthropist and collector of Impressionist paintings and sculpture.",
"citations": [],
"footnotes": [],
"date": "1960s-2013",
"sortorder": 2
},
{
"description": "Sold at Rau's sale to benefit Unicef at Sotheby's, London (July 2, 2013), lot 8",
"citations": [],
"footnotes": [],
"date": "July 2, 2013",
"sortorder": 3
},
{
"description": "[Daniel Katz, London], sold to the Cleveland Museum of Art",
"citations": [],
"footnotes": [],
"date": "2013-2014",
"sortorder": 4
},
{
"description": "The Cleveland Museum of Art, Cleveland, Oh",
"citations": [],
"footnotes": null,
"date": "2014-",
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"did_you_know": "Dragons, like the one Mary is standing on, sometimes look more like snakes in medieval art.",
"description": "This sculpture is a rare survival in wood from the valley of the Meuse River (modern Belgium and Holland), an important region for the production of ecclesiastical art in the 1100s and 1200s. The elegantly draped figure is remarkable for the preservation of much of its original paint and gilding, including the Virgin's gilded mantle highlighted with decorative bands of geometric patterns and the green dragon on which she stands. There are small settings around the Virgin's neck and along the border of the mantle that would have originally been set with gem and glass cabochons in imitation of the richly adorned metalwork for which Mosan art was highly esteemed. The settings for these cabochons provide some hint of the original opulence of this sculpture. The Virgin's serene features and beautiful countenance are noteworthy, as is the refined execution of the draperies.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60779137"
],
"internet_archive": [
"https://archive.org/details/clevelandart-2014.392-virgin-and-child"
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"citations": [
{
"citation": "Bonnet Saint-Georges, B\u00e9n\u00e9dicte \"Une Vierge mosane pour le mus\u00e9e de Cleveland\" La Tribune de l'Art (December 21, 2014).",
"page_number": null,
"url": "https://www.latribunedelart.com/une-vierge-mosane-pour-le-musee-de-cleveland"
},
{
"citation": "Litt, Steven \"Rare Sculpture is Among New Pieces\" The Cleveland Plain Dealer (December 21, 2014).",
"page_number": "p. D4",
"url": null
},
{
"citation": "Fliegel, Stephen N. \u201cAcquisition Highlights 2014: Medieval Art.\u201d Cleveland Art: Cleveland Museum of Art Members Magazine 55, no. 2 (March/April 2015): 14-15.",
"page_number": "Reproduced and Mentioned: p. 14",
"url": "https://archive.org/details/CMAMM2015-02"
},
{
"citation": "George, Philippe. Art et Patrimoine en Wallonie des Origines a\u0300 1789: Essai de Synthe\u0300se a\u0300 la Lumie\u0300re des Collections Ame\u0301ricaines et Europe\u0301ennes. Namur: Institut du Patrimoine Wallon, 2017. N6969 .W3 G46 2017",
"page_number": "Reproduced; p. 194, fog. 285 a-c",
"url": null
},
{
"citation": "Gertsman, Elina and Barbara H. Rosenwein. The Middle Ages in 50 Objects. Cambridge: Cambridge University Press, 2018.",
"page_number": "Mentioned: p. 34-37; Reproduced: p. 35",
"url": null
},
{
"citation": "Verbrugge, Anne. \"Restoration and Gothic Revival.\" In Arenberg. Mark Derez, Soetkin Vanhauwaert and Anne Verbrugge, editors. Turnhout : Brepols, 2018.",
"page_number": "Mentioned: p.354",
"url": null
},
{
"citation": "Beer, Manuela. Magic Rock Crystal. 2022.",
"page_number": "fig. 282, p. 301",
"url": ""
},
{
"citation": "Gertsman, Elina, and Stephen N. Fliegel. Collectors, Commissioners, Curators: Studies in Medieval Art for Stephen N. Fliegel. Berlin ; Boston : De Gruyter ; [Kalamazoo, Michigan] : Medieval Institute Publications, 2023.",
"page_number": "Mentioned and reproduced: pp. 171-175, Fig. 9.1a, 9.1b and 9.2.",
"url": ""
},
{
"citation": "Lefftz, Michel. \"Sculptures et sculpteurs \u00e0 Marche-les-Dames: de splendides t\u00e9moins de l'histoire des styles en r\u00e9gion mosane.\" Marche-sur-Meuse. Que s\u2019\u00e9coule le temps et passent les dames. Namur: La Soci\u00e9t\u00e9 arch\u00e9ologique de Namur, 2025.",
"page_number": "pp. 244\u2013245.",
"url": ""
}
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