id: 171637 accession number: 2014.403 share license status: Copyrighted url: https://clevelandart.org/art/2014.403 updated: 2023-03-22 03:05:40.933000 Washing Away of Wrongs, 2014. Anicka Yi (American, b. 1971). 2 stainless steel dryer doors, Plexiglas, diffuser, 2 fragrances designed by Christophe Laudamiel - Traennen and Bullfrog; overall: 304.8 x 332.7 x 67.3 cm (120 x 131 x 26 1/2 in.). The Cleveland Museum of Art, Gift of the Contemporary Art Society 2014.403 title: Washing Away of Wrongs title in original language: series: series in original language: creation date: 2014 creation date earliest: 2014 creation date latest: 2014 current location: creditline: Gift of the Contemporary Art Society copyright: --- culture: America, 21st century technique: 2 stainless steel dryer doors, Plexiglas, diffuser, 2 fragrances designed by Christophe Laudamiel - Traennen and Bullfrog department: Contemporary Art collection: CONTEMP - Sculpture type: Sculpture find spot: catalogue raisonne: --- CREATORS * Anicka Yi (American, b. 1971) - artist --- measurements: Overall: 304.8 x 332.7 x 67.3 cm (120 x 131 x 26 1/2 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Anicka Yi: Death opening date: 2014-10-11T00:00:00 Anicka Yi: Death. Transformer Station, Cleveland, OH (October 11, 2014-January 17, 2015). --- LEGACY EXHIBITIONS * Anicka Yi: Divorce. 47 Canal, New York (April 30 - June 8, 2014). --- PROVENANCE Collection of the artist; acquired by the CMA from 47 Canal, New York in 2014. date: footnotes: citations: --- fun fact: One door contains a custom scent called “Divorce,” which contains pungent notes that are spicy and animalistic. digital description: wall description: Anicka Yi defies expectations with her artworks that poetically engage all the human senses from touch to scent. This work was inspired by the strong emotions that are experienced when a relationship ends. Two industrial dryer doors, as seen in laundromats, each contain a different, original scent that speaks to the experience of loss and separation; accordingly, these scents are less than pleasant. She says, “Two industrial laundry dryer doors transmit scents—one abstract, one representational, two separate systems, both a washing away of wrongs. Take in notes of fried intersections, brooms sweeping up situations, folded cardboard. . . . The other door trickles out a different rhythm of presence through absence—prehistoric wetland, brackish vegetation, yellow throated bullfrog. . . .” --- RELATED WORKS --- CITATIONS Creahan, D. “Anicka Yi: ‘Divorce’ at 47 Canal Through June 8th, 2014.” Art Observed (June 9, 2014). page number: url: Burton, Johanna. “Split Subjects: Johanna Burton on Anicka Yi at 47 Canal, New York.” Texte Zur Kunst no. 95 (September 2014): 213-215. page number: Reproduced and Mentioned p. 214. url: Prickett, Sarah Nicole. “Anicka Yi.” Interview Magazine (October 10, 2014). page number: url: Rosenberg, Karen. “Anicka Yi: ‘Divorce.’” The New York Times (May 22, 2014): C26. page number: url: --- IMAGES