{
"data": {
"id": 171685,
"accession_number": "2014.447",
"share_license_status": "Copyrighted",
"tombstone": "Home Damaged by Flood, Wilkes-Barre, PA, USA, 1972. Leonard Freed (American, 1929\u20132006). Gelatin silver print; image: 15.8 x 23.9 cm (6 1/4 x 9 7/16 in.); paper: 20.3 x 25.3 cm (8 x 9 15/16 in.). The Cleveland Museum of Art, Gift of Jon and Nicky Ungar, 2014.447. \u00a9 Leonard Freed /Magnum Photos",
"current_location": null,
"title": "Home Damaged by Flood, Wilkes-Barre, PA, USA",
"creation_date": "1972",
"creation_date_earliest": 1972,
"creation_date_latest": 1972,
"artists_tags": [
"Jewish artists",
"male"
],
"culture": [
"America"
],
"technique": "gelatin silver print",
"support_materials": [],
"department": "Photography",
"collection": "PH - American 1951-Present",
"type": "Photograph",
"measurements": "Image: 15.8 x 23.9 cm (6 1/4 x 9 7/16 in.); Paper: 20.3 x 25.3 cm (8 x 9 15/16 in.)",
"dimensions": {
"image": {
"height": 0.158,
"height_inch": 6,
"height_inch_fraction": 0.25,
"width": 0.239,
"width_inch": 9,
"width_inch_fraction": 0.4375
},
"paper": {
"height": 0.203,
"height_inch": 8,
"height_inch_fraction": 0.0,
"width": 0.253,
"width_inch": 9,
"width_inch_fraction": 0.9375
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": "\u00a9 Leonard Freed /Magnum Photos",
"inscriptions": [
{
"inscription": "Written in red pencil on recto: \"23-1/2\"\r\nWritten in red pencil on recto: \"29-1/2/Photo 3.3 p.98\"\r\nWritten in blue pencil on recto: \"67\"\r\nWritten in blue ink on verso: \"Floods-Natural Disasters (underlined)/Wilkes Barre/NATURE\"\r\nWritten in pencil on verso: \"LFDIS-04\"\r\nWritten in pencil on verso: \"6993\"\r\nImprinted in black type on white adhesive label verso: \"AA0061\"\r\nStamped in red ink on verso: \"Photograph By/Leonard Freed/\u00a9MAGNUM PHOTOS, INC./15 West 46th Street, N.Y.C. 10036\"\r\nStamped in red ink on verso: \"72-24-1/32A (written in pencil)\"\r\nWritten in red ink on verso: JE (circled) S/S (written in pencil)\"\r\nWritten in pencil on verso: \"61622 (circled)\"\r\nWritten in pencil on verso: \"32A\"\r\nWritten in pencil on verso: \"NAT: 82 (underlined)\"\r\nWritten in pencil on verso: \"Leonard Freed (signed)\"\r\nWritten in pencil on verso: \"59507\"\r\nStamped in black ink on verso: \"\u00a9 Leonard Freed-Magnum\"\r\nWritten in pencil on verso: \"1972 WILKES BARRE-PA-USA (FLOOD)/72-24-1-32A\"\r\nWritten in pencil on verso: \"UNIQUE/VINTAGE PRINT (stamped in black ink)\"\r\nWritten in pencil on verso: \"60508\"\r\nStamped in black ink on verso: \"MAGNUM/PHOTO LIBRARY PRINT/NEW YORK/40268 (written in pencil, crossed out)/37347 (written in pencil crossed out)/LOG REF. 47236/27035 (written in pencil crossed out) 32931 (written in pencil crossed out)/TO BE RETURNED 44405 (written in pencil)\"\r\n",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [],
"legacy": []
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q80082441"
],
"internet_archive": []
},
"citations": [],
"url": "https://clevelandart.org/art/2014.447",
"images": {},
"alternate_images": [],
"creditline": "Gift of Jon and Nicky Ungar",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 171685,
"creators": [
{
"id": 64197,
"description": "Leonard Freed (American, 1929\u20132006)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929\u20132006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed\u2019s photographs in this exhibition are from Black in White America, a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published Black in White America in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that \u201cphotography is about who you are. It\u2019s the seeking of truth in relation to yourself.\u201d",
"name_in_original_language": null,
"birth_year": "1929",
"death_year": "2006",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "2014-12-01T00:00:00",
"sortable_date": 1972,
"date_added_to_oa": null,
"date_text": "1972",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-05-01 06:53:29.832000"
}
}