id: 171709
accession number: 2014.466
share license status: Copyrighted
url: https://clevelandart.org/art/2014.466
updated: 2024-03-26 02:01:41.474000
Elderly Man with Cane and Baggage, Jerusalem, Israel, 1967. Leonard Freed (American, 1929–2006). Gelatin silver print; image: 23.3 x 15.6 cm (9 3/16 x 6 1/8 in.); paper: 25.3 x 20.3 cm (9 15/16 x 8 in.); image with black margin: 23.7 x 16.1 cm (9 5/16 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Carl and Ruth Alterman 2014.466 © Leonard Freed /Magnum Photos
title: Elderly Man with Cane and Baggage, Jerusalem, Israel
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creation date: 1967
creation date earliest: 1967
creation date latest: 1967
current location:
creditline: Gift of Carl and Ruth Alterman
copyright: © Leonard Freed /Magnum Photos
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culture: America, 20th century
technique: gelatin silver print
department: Photography
collection: PH - American 1951-Present
type: Photograph
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CREATORS
* Leonard Freed (American, 1929–2006) - artist
Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929–2006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed’s photographs in this exhibition are from Black in White America, a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published Black in White America in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that “photography is about who you are. It’s the seeking of truth in relation to yourself.”
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measurements: Image: 23.3 x 15.6 cm (9 3/16 x 6 1/8 in.); Paper: 25.3 x 20.3 cm (9 15/16 x 8 in.); Image with black margin: 23.7 x 16.1 cm (9 5/16 x 6 5/16 in.)
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inscription: Signed, dated, situated, and with copyright stamp and "Vintage Print" stamp on verso
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
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PROVENANCE
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CITATIONS
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IMAGES