id: 171717 accession number: 2014.473 share license status: Copyrighted url: https://clevelandart.org/art/2014.473 updated: 2024-03-26 02:01:41.519000 Children in Window, Harlem, NY, 1972. Leonard Freed (American, 1929–2006). Gelatin silver print; image: 24.5 x 19.6 cm (9 5/8 x 7 11/16 in.); paper: 23.5 x 15 cm (9 1/4 x 5 7/8 in.). The Cleveland Museum of Art, Gift of Mark Greenberg and Tami Morachnick 2014.473 © Leonard Freed /Magnum Photos title: Children in Window, Harlem, NY title in original language: series: series in original language: creation date: 1972 creation date earliest: 1975 creation date latest: 1975 current location: creditline: Gift of Mark Greenberg and Tami Morachnick copyright: © Leonard Freed /Magnum Photos --- culture: America, 20th century technique: gelatin silver print department: Photography collection: PH - American 1951-Present type: Photograph find spot: catalogue raisonne: --- CREATORS * Leonard Freed (American, 1929–2006) - artist Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929–2006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed’s photographs in this exhibition are from Black in White America, a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published Black in White America in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that “photography is about who you are. It’s the seeking of truth in relation to yourself.” --- measurements: Image: 24.5 x 19.6 cm (9 5/8 x 7 11/16 in.); Paper: 23.5 x 15 cm (9 1/4 x 5 7/8 in.) state of the work: edition of the work: support materials: inscriptions: inscription: On the verso, written in pencil: LFB WA-233 7500" / "P/A/INO.p.87"(?)./Signed by artist:" Leonard Freed"(written twice in pencil). Printed in pencil:" UNIQUE"/ " 1972 HARLEM NEW YORK,USA"/ " 1972/VINTAGE PRINT" / " 35 13 ½ 011 183 800 "/ "8" . Written in black marker : " Harlem" Drawn in pencil an arrow pointing up. On verso, a blue ink stamp: " TIRAGE ARCHIVE MAGNUM PHOTOS/5,PASSAGE PIVER 75011 PARIS/EF(??MISSING)UVE A RENDRE/MAGNUM PARIS LIBRARY/PRINT TO BE RETURNED"/ "© Leonard Freed-Magnum". Two black ink stamps : " © leaonard Freed -Magnum". translation: remark: --- CURRENT EXHIBITIONS title: Stories From Storage opening date: 2021-02-07T05:00:00 Stories From Storage. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 16, 2021). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES