id:			171838
accession number:	2014.582
share license status:	Copyrighted
url:			https://clevelandart.org/art/2014.582
updated:		2024-03-26 02:01:42.193000

Gym Class in a Hassidic School, London, England, 1971. Leonard Freed (American, 1929–2006). Gelatin silver print; image: 24.2 x 16 cm (9 1/2 x 6 5/16 in.); paper: 25.2 x 20.3 cm (9 15/16 x 8 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos 2014.582 © Leonard Freed /Magnum Photos

title:				Gym Class in a Hassidic School, London, England
title in original language:	
series:				
series in original language:	
creation date:			1971
creation date earliest:		1966
creation date latest:		1976
current location:		
creditline:			Gift of George Stephanopoulos
copyright:			© Leonard Freed /Magnum Photos

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culture:	America, 20th century
technique:	gelatin silver print
department:	Photography
collection:	PH - American 1951-Present
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Leonard Freed (American, 1929–2006)  - artist
Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929–2006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed’s photographs in this exhibition are from<em> Black in White America, </em>a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published <em>Black in White America</em> in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that “photography is about who you are. It’s the seeking of truth in relation to yourself.”
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measurements: Image: 24.2 x 16 cm (9 1/2 x 6 5/16 in.); Paper: 25.2 x 20.3 cm (9 15/16 x 8 in.)
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support materials:


inscriptions:

	inscription:	Written in pencil on verso: "LFLI-06.2"
Written in blue ink on verso: "Religie-Jude [indecipherable handwriting]"
Written in pencil on verso: "1971"
Written in pencil on verso: "Leonard Freed (signed)"
Written in pencil on verso: "1971, London, England"
Written in pencil on verso: "71-14-28-5"
Written in black ink on verso: "71-14-25/5"


	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

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