id:			172000
accession number:	2014.684
share license status:	CC0
url:			https://clevelandart.org/art/2014.684
updated:		2022-05-14 09:06:30.815000

Hymn to Creation: Holy Spirit of God, 1894. Charles Marie Dulac (French, 1865-1898). Color lithograph on chine collé; sheet: 48.9 x 62.7 cm (19 1/4 x 24 11/16 in.); image: 37.4 x 49.3 cm (14 3/4 x 19 7/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2014.684

title:				Hymn to Creation: Holy Spirit of God
title in original language:	
series:				
series in original language:	
creation date:			1894
creation date earliest:		1894
creation date latest:		1894
current location:		
creditline:			Bequest of John Bonebrake
copyright:			

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culture:	France, 19th century
technique:	color lithograph on chine collé
department:	Prints
collection:	PR - Lithograph
type:		Print
find spot:	
catalogue raisonne: 

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CREATORS

* Charles Marie Dulac (French, 1865-1898)  - artist

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measurements: Sheet: 48.9 x 62.7 cm (19 1/4 x 24 11/16 in.); Image: 37.4 x 49.3 cm (14 3/4 x 19 7/16 in.)
state of the work:	
edition of the work: 	trial proof before letters

support materials:


inscriptions:

	inscription:	In stone, lower right: Ch. Dulac; inscribed lower right margin in pencil: Tirage Suple; signed Charles Dulac
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		Nature Sublime: Landscapes from the 19th Century
	opening date:   2004-08-15T00:00:00
	<i>Nature Sublime: Landscapes from the 19th Century</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 15-November 14, 2004).

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LEGACY EXHIBITIONS

* Cleveland, Ohio: The Cleveland Museum of Art; 8/15/04-11/14/04. "Nature Sublime: Landscapes from the 19th Century".  No exhibition catalogue.

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PROVENANCE

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fun fact: 


digital description: 


wall description: 
In his portfolio of eight enigmatic color lithographs, <em>Hymn to Creation</em>, Charles Dulac described canals, pools, forests, and storm-tossed trees in a highly personal, visual language. He concentrated on mood rather than on detail, taking the Symbolist liberty of idealizing nature without deforming it. Rather than capturing the fleeting effects of light or weather, as the Impressionists did, Dulac focused instead on momentary emotions. His landscape is a landscape of the mind.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2014.684/2014.684_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2014.684/2014.684_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2014.684/2014.684_full.tif