id: 172099 accession number: 2014.695 share license status: CC0 url: https://clevelandart.org/art/2014.695 updated: 2024-03-26 02:01:43.701000 L'Estampe Moderne: L'Estampe Moderne: Cinquantes Estampes Originales Inédites en Couleur et Noir des Principaux Artistes Modernes Français et Étrangers, Vol. II, May1898-April 1899. Adolphe Giraldon (French, 1855–1933), Adolphe Willette (French, 1857–1926), Alfred-Pierre Agache (French, 1843–1915), Alfredo Müller (Italian, 1869–1940), Angelo Jank (German, 1868–1940), Auguste Roedel (French, 1859–1900), Charles Huard (French, 1874–1965), Charles Paul Renouard (French, 1845–1924), Charles-François-Prosper Guérin (French, 1875–1939), Edward Burne-Jones (British, 1833–1898), Étienne Dinet (French, 1861–1929), Eugène Delâtre (French, 1864–1938), Eugène Grasset (French, 1841–1917), Eugène Trigoulet (French, 1867–1910), Félix Bracquemond (French, 1833–1914), Ferdinand Jean Luigini (French, 1870–1943), Fernand Cormon (French, 1845–1924), Fernand Piet (French, 1869–1942), Firmin Bouisset (French, 1859–1925), Francis Jourdain (French, 1876–1958), François Guiguet (French, 1860–1937), Gaston Bussiere (French, 1862–1929), Guillaume Dubufe (French, 1853–1909), Henri Bellery-Desfontaines (French, 1867–1910), Henri Fantin-Latour (French, 1836–1904), Henri Le Sidaner (French, 1862–1939), Henri Gabriel Ibels (French, 1867–1936), Henri Jean Guillaume Martin (French, 1860–1943), Henri Patrice Dillon (American, 1851–1909), Henri-Jules Guinier (French, 1867–1927), Jacques Baseilhac (French, 1874–1903), Jeanne Granès (French, 1887–1917), Jules Gustave Besson (French, b. 1868), Jules Léon Flandrin (French, 1871–1947), Jules-Alexis Muenier (French, 1863–1942), Louis Bourgeois Borgex (French, 1873–1959), Louis Joseph Raphaël Collin (French, 1830–1916), Louis Welden Hawkins (French, 1849–1910), Louise Breslau (Swiss, 1856–1927), Luc-Olivier Merson (French, 1846–1920), Lucien-Hector Monod (French, 1867–1957), Manuel Robbe (French, 1872–1936), Marguerite Delorme (French, 1876–1946), Maurice Desvallières (French, 1857–1926), Maximilienne Guyon (French, 1869–1903), Paul Alexandre Alfred Leroy (French, 1860–1942), Paul César Helleu (French, 1859–1927), Raoul André Ulmann (French, 1867–1932), Théophile Alexandre Steinlen (Swiss, 1859–1923), Victor Emile Prouvé (French, 1858–1943), Imprimerie Champenois. Bound volume containing 50 lithographs, each with a tissue paper guard ; overall: 41.1 x 32.8 x 2.4 cm (16 3/16 x 12 15/16 x 15/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2014.695 title: L'Estampe Moderne: Cinquantes Estampes Originales Inédites en Couleur et Noir des Principaux Artistes Modernes Français et Étrangers, Vol. II title in original language: series: L'Estampe Moderne series in original language: creation date: May1898-April 1899 creation date earliest: 1898 creation date latest: 1899 current location: creditline: Bequest of John Bonebrake copyright: --- culture: France, 19th century technique: Bound volume containing 50 lithographs, each with a tissue paper guard department: Prints collection: PR - Lithograph type: Bound Volume find spot: catalogue raisonne: Bailly-Herzberg, Janine, "L'Estampe Moderne, mai 1897-avril 1899: Deuxième Volume," Dictionnaire de --- CREATORS * Adolphe Giraldon (French, 1855–1933) - artist * Adolphe Willette (French, 1857–1926) - artist * Alfred-Pierre Agache (French, 1843–1915) - artist * Alfredo Müller (Italian, 1869–1940) - artist * Angelo Jank (German, 1868–1940) - artist * Auguste Roedel (French, 1859–1900) - artist * Charles Huard (French, 1874–1965) - artist * Charles Paul Renouard (French, 1845–1924) - artist * Charles-François-Prosper Guérin (French, 1875–1939) - artist * Edward Burne-Jones (British, 1833–1898) - artist Edward Burne-Jones and Morris met as undergraduates at Oxford University, where both studied theology, planning to enter the church. Instead, a mutual love of poetry and medieval art led these lifelong friends toward careers in art, design, and literature. A successful painter, Burne-Jones also contributed to Morris & Co. as a designer of stained glass and tapestry, as well as to the Kelmscott Press as an illustrator of books * Étienne Dinet (French, 1861–1929) - artist * Eugène Delâtre (French, 1864–1938) - artist * Eugène Grasset (French, 1841–1917) - artist * Eugène Trigoulet (French, 1867–1910) - artist * Félix Bracquemond (French, 1833–1914) - artist * Ferdinand Jean Luigini (French, 1870–1943) - artist * Fernand Cormon (French, 1845–1924) - artist * Fernand Piet (French, 1869–1942) - artist * Firmin Bouisset (French, 1859–1925) - artist * Francis Jourdain (French, 1876–1958) - artist * François Guiguet (French, 1860–1937) - artist * Gaston Bussiere (French, 1862–1929) - artist * Guillaume Dubufe (French, 1853–1909) - artist * Henri Bellery-Desfontaines (French, 1867–1910) - artist * Henri Fantin-Latour (French, 1836–1904) - artist At the age of ten, Henri Fantin-Latour began painting with his father, Théodore Fantin-Latour (1805-1875). In 1850 he left Grenoble and moved to Paris to study under Horace Lecoq de Boisbaudran (1802-1897), an innovative and nontraditional instructor who developed and published his own unique teaching method based on painting and drawing from memory. Fantin studied with him for six years and then attended the École des Beaux-Arts for less than a year in 1854. Encouraged by J. A. M. Whistler (1834-1903), whom he met in 1858 at the Louvre, Fantin-Latour made several trips to London from 1859 to 1881, where he exhibited at the Royal Academy. London collectors appreciated his still lifes, and he began accepting numerous portrait commissions from English patrons. It was in London, through Whistler's brother-in-law Francis Seymour Haden (1818-1910), that Fantin first learned to etch. After his first Salon submissions were rejected in 1859, Fantin, in an effort to become better known in France, began exhibiting with his friend Manet (q.v.) and future impressionists Renoir (q.v.) and Monet (q.v.). In 1865 Fantin wrote collector Edwin Edwards: "We form a group and make noise because there are lots of painters about and one is easily overlooked. When we get together . . . we gain strength in numbers and grow more adventurous. I thought it could last. That was my mistake." Unlike the realists and the impressionists, Fantin did not paint out of doors; rather, he preferred literary subjects, still lifes, and portraits that could be painted in his studio. In addition to portraits and still lifes, he made numerous paintings and more than 150 prints that were fantasy works and dream visions, paving the way for symbolist artists. These works were inspired by allegorical and mythological subjects as well as motivated by contemporary German composers such as Schumann and Wagner. After Fantin's death in 1904, critic René-Marc Ferry wrote: "when he found realism too limited and stifling, he lost himself in dreams, but his dreams went no further than the windows of his studio. Deep down, he was first and foremost a studio artist."1 1. Druick and Hoog 1982, 28. * Henri Le Sidaner (French, 1862–1939) - artist * Henri Gabriel Ibels (French, 1867–1936) - artist * Henri Jean Guillaume Martin (French, 1860–1943) - artist * Henri Patrice Dillon (American, 1851–1909) - artist * Henri-Jules Guinier (French, 1867–1927) - artist * Jacques Baseilhac (French, 1874–1903) - artist * Jeanne Granès (French, 1887–1917) - artist * Jules Gustave Besson (French, b. 1868) - artist * Jules Léon Flandrin (French, 1871–1947) - artist * Jules-Alexis Muenier (French, 1863–1942) - artist * Louis Bourgeois Borgex (French, 1873–1959) - artist * Louis Joseph Raphaël Collin (French, 1830–1916) - artist * Louis Welden Hawkins (French, 1849–1910) - artist * Louise Breslau (Swiss, 1856–1927) - artist * Luc-Olivier Merson (French, 1846–1920) - artist * Lucien-Hector Monod (French, 1867–1957) - artist * Manuel Robbe (French, 1872–1936) - artist * Marguerite Delorme (French, 1876–1946) - artist * Maurice Desvallières (French, 1857–1926) - artist * Maximilienne Guyon (French, 1869–1903) - artist * Paul Alexandre Alfred Leroy (French, 1860–1942) - artist * Paul César Helleu (French, 1859–1927) - artist * Raoul André Ulmann (French, 1867–1932) - artist * Théophile Alexandre Steinlen (Swiss, 1859–1923) - artist * Victor Emile Prouvé (French, 1858–1943) - artist He joined the Gallé workshop while still a boy, initially becoming a ceramics designer in the company of Emile Galli. He studied painting in Nancy and Paris. His work is in the Art Nouveau style. He is known as a painter and ceramicist; he also created designs for lace and embroidery, jewelry, glassware, bookbinding and graphics. He had an international reputation because his designs were published in the 'Journal d'art et industrie.' * Imprimerie Champenois - published by --- measurements: Overall: 41.1 x 32.8 x 2.4 cm (16 3/16 x 12 15/16 x 15/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: inside front cover, lower margin, in graphite: JB 464; inside front cover, lower right, in graphite: unit 50 lito tef. / AM889/II/12To / 150,000, -; inside back cover, lower left corner, adhesive sticker with barcode and text around an image of a bridge and an a combined "A" and "T": ANTIKVARIAT "U KARLOVA MOSTU" / KARLOVA 2, PRAHA 1 translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/2014.695/2014.695_web.jpg print: https://openaccess-cdn.clevelandart.org/2014.695/2014.695_print.jpg full: https://openaccess-cdn.clevelandart.org/2014.695/2014.695_full.tif