id: 78962
accession number: 2015.400
share license status: Copyrighted
url: https://clevelandart.org/art/2015.400
updated: 2024-03-26 01:55:47.330000
Civilians Fighting British Soldiers, Londonderry, Northern Ireland, 1971. Leonard Freed (American, 1929–2006). Vintage gelatin silver print; image: 16.1 x 24.1 cm (6 5/16 x 9 1/2 in.); paper: 20.2 x 25.3 cm (7 15/16 x 9 15/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos 2015.400 © Leonard Freed /Magnum Photos
title: Civilians Fighting British Soldiers, Londonderry, Northern Ireland
title in original language:
series:
series in original language:
creation date: 1971
creation date earliest: 1971
creation date latest: 1971
current location:
creditline: Gift of George Stephanopoulos
copyright: © Leonard Freed /Magnum Photos
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culture: America, 20th century
technique: Vintage gelatin silver print
department: Photography
collection: PH - American 1951-Present
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Leonard Freed (American, 1929–2006) - artist
Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929–2006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed’s photographs in this exhibition are from Black in White America, a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published Black in White America in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that “photography is about who you are. It’s the seeking of truth in relation to yourself.”
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measurements: Image: 16.1 x 24.1 cm (6 5/16 x 9 1/2 in.); Paper: 20.2 x 25.3 cm (7 15/16 x 9 15/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: ttWritten in orange pencil on recto: "(lines with arrows pointing left and right in the upper margin) 6-7/16"
Written in orange pencil on recto: "(lines with arrows pointing up and down in left margin)"
Written in pencil on verso: "LFNI-08.3"
Written in red marker on verso: "N. IRELAND-1971/(FREED)"
Written in pencil on verso: "00026771"
Written in pencil on verso: "29470"
Stamped in black ink on verso: "MAGNUM/PHOTO LIBRARY PRINT/NEW YORK/32654 (stamped upside down in red ink)/LOG REF. 23372 (written in pencil and crossed out)/26771 (written in pencil)/TO BE RETURNED."
Stamped in purple ink on verso: "© Leonard Freed-Magnum"
Written in pencil on verso: "021 (crossed out) 71-22-10-27"
Stamped in black ink on verso: "USED FOR ILLUSTRATION/PUBLICATION PAGE/Search 9-18-72 12 (written in red pencil)/SIZE OF CUT 6-7/16 x 3-3/8"(written in red pencil)/KIND OF CUT"
Written in pencil on verso: "N Ireland"
Written in red marker on verso: "N. Ireland"
Stamped in black ink on verso: "VINTAGE PRINT"
Written in pencil on verso: "71-22-10-27"
Written in pencil on verso: "1971 LONDON DERRY, NORTHERN IRELAND"
Written in pencil on verso: "Leonard Freed (signed)"
Stamped in black ink on verso: "© Leonard Freed-Magnum"
Commercially imprinted throughout verso of paper: "Agfa"
translation:
remark:
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
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CITATIONS
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