{
"data": {
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"accession_number": "2015.463",
"share_license_status": "CC0",
"tombstone": "Calligraphy with Willow and Swallows, 1400s. Ikky\u016b S\u014djun (Japanese, 1394\u20131481). Hanging scroll, ink on paper; overall: 104 x 34.8 cm (40 15/16 x 13 11/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.463",
"current_location": null,
"title": "Calligraphy with Willow and Swallows",
"creation_date": "1400s",
"creation_date_earliest": 1400,
"creation_date_latest": 1481,
"artists_tags": [
"male"
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"culture": [
"Japan, Muromachi period (1392\u20131573)"
],
"technique": "hanging scroll, ink on paper",
"support_materials": [],
"department": "Japanese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Overall: 104 x 34.8 cm (40 15/16 x 13 11/16 in.)",
"dimensions": {
"overall": {
"height": 1.04,
"height_inch": 40,
"height_inch_fraction": 0.9375,
"width": 0.348,
"width_inch": 13,
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"inscriptions": [
{
"inscription": "How many days has it rid itself of the crow\u2019s cloth? It knows not!/\nLovely is its body so nimble and neat./\nNeither men of wealth, courtly position, or power can come close to the unfettered, noble swallow!/\nWith the coming of spring, it seems to be flying about, dancing around the grass hut of the foolish Priest.\n\nsigned: Unkas\u014d Isshi T\u014dkai jun Ikky\u016b shi ga ippitsu",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
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{
"inscription": "outer box inscribed: Ikky\u016b \u014csh\u014d Enshi-zu Jigasan",
"inscription_translation": "Painting of swallow with self-inscribed encomium by Ikky\u016b \u014csh\u014d",
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "inner box side lid inscribed: Showa 50 (1975), November by Tayama Honan with kao",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
},
{
"inscription": "Inner box side lid inscribed: Ikky\u016b \u014csh\u014d Bokuseki",
"inscription_translation": "A calligraphy by the priest Ikky\u016b written by the Momoyama period daimyo Hosokawa Sansai (1563-1645)",
"inscription_remark": null,
"sortorder": null
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"exhibitions": {
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{
"id": 193115,
"title": "Ink Paintings and Ash-Glazed Ceramics: Medieval Calligraphy, Painting, and Ceramic Art from Japan and Korea",
"description": "Ink Paintings and Ash-Glazed Ceramics: Medieval Calligraphy, Painting, and Ceramic Art from Japan and Korea. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 19-May 28, 2000).",
"opening_date": "2000-03-19T00:00:00"
},
{
"id": 300223,
"title": "Japanese Gallery 235 Rotation",
"description": "Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 2-July 9, 2018).",
"opening_date": "2018-01-02T05:00:00"
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"description": "George Gund III [1937-2013], bequest to the Cleveland Museum of Art",
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"footnotes": null,
"date": "?-2015",
"sortorder": 1
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{
"description": "The Cleveland Museum of Art, Cleveland, OH",
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"footnotes": null,
"date": "2015-",
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"description": "The famed Buddhist monk Ikky\u016b is best remembered for his calligraphy. Calligraphic conventions of his time called for brushwork that did not vary much in style from character to character. However, as Ikky\u016b\u2019s lines progress, his brushwork wanders between standard script and a sort of shorthand, marked by an uneven distribution of ink and a reduction of the characters to only the most necessary strokes. Ikky\u016b\u2019s direct communication of emotion via brushwork became characteristic of the works produced by monks affiliated with the temple Daitokuji later in the Edo period (1615\u20131868).",
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"internet_archive": [
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"citations": [
{
"citation": "Cunningham, Michael R., Shin\u02bcichi Miyajima, and Yu\u0304ji Yamashita. Ink Paintings and Ash-Glazed Ceramics: Medieval Calligraphy, Painting, and Ceramic Art from Japan and Korea. [Cleveland, Ohio]: Cleveland Museum of Art, 2000.",
"page_number": "Reproduced: cat. no. 4, pp. 28-30",
"url": null
},
{
"citation": "Longhi, Leighton R. Leighton R. Longhi: Forty-Five Years in Asian Art. [New York, N.Y.]: Leighton R. Longhi, 2019.",
"page_number": "Reproduced: p. 42, fig. 16",
"url": null
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"updated_at": "2026-05-29 04:59:09.583000"
}
}