id:			86111
accession number:	2015.589
share license status:	CC0
url:			https://clevelandart.org/art/2015.589
updated:		2023-03-03 07:00:55.557000

Landscape, early 1600s. Japan, Momoyama period (1573-1615) to Edo period (1615-1858). Hanging scroll, ink and color on silk; painting: 143.6 x 72.7 cm (56 9/16 x 28 5/8 in.); mounted: 251.1 x 90.3 cm (98 7/8 x 35 9/16 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III 2015.589

title:				Landscape
title in original language:	
series:				
series in original language:	
creation date:			early 1600s
creation date earliest:		1600
creation date latest:		1630
current location:		
creditline:			Gift from the Collection of George Gund III
copyright:			

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culture:	Japan, Momoyama period (1573-1615) to Edo period (1615-1858)
technique:	hanging scroll, ink and color on silk
department:	Japanese Art
collection:	ASIAN - Hanging scroll
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Sesshū Tōyō (Japanese, 1420–1506)  - artist

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measurements: Painting: 143.6 x 72.7 cm (56 9/16 x 28 5/8 in.); Mounted: 251.1 x 90.3 cm (98 7/8 x 35 9/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Reeds and Geese: Japanese Art from the Collection of George Gund III
	opening date:   2017-05-21T04:00:00
	<i>Reeds and Geese: Japanese Art from the Collection of George Gund III</i>. The Cleveland Museum of Art (organizer) (May 21-September 3, 2017).

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LEGACY EXHIBITIONS

* The Cleveland Museum of Art, "Reeds and Geese: Japanese Art from the Collection of George Gund III" (May 21- September 3 2017)

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PROVENANCE

	Daté Family Collection
	date: 
	footnotes: 	
	citations: 	


	George Gund III [1937-2013], ?-2015, bequest to the Cleveland Museum of Art
	date: ?-2015
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH, 2015-present
	date: 2015-
	footnotes: 	
	citations: 	


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fun fact:
Other paintings from the same set are in the collections of the Rhode Island School of Design and the Philadelphia Museum of Art.

digital description:


wall description:
This painting belongs to a group of eight that were likely mounted as a pair of four-panel folding screens representing the Eight Views of the Xiao and Xiang Rivers. The screens were the property of the Date family, who once ruled Sendai in northern Honshu, the main Japanese island. This one represents the theme of returning sails off a distant shore, and is in the style of Chinese painter Li Tang (1050–1130). <br><br>Some scholars believe it is the work of Sesshū Tōyō (1420–1506), one of the most famous Japanese painters, or by one of his disciples. Sesshū traveled to Ming dynasty China on a ship sent by the powerful Ōuchi family of Yamaguchi at the southern tip of Honshu. This gave him the distinction of being the only Japanese painter of the Muromachi period to have experienced Ming China firsthand.
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RELATED WORKS

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CITATIONS

	Longhi, Leighton R. <em>Leighton R. Longhi: Forty-Five Years in Asian Art. </em>[New York, N.Y.]: Leighton R. Longhi, 2019.
	page number: 	Reproduced: p. 65, fig. 49
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2015.589/2015.589_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2015.589/2015.589_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2015.589/2015.589_full.tif