{
    "data": {
        "id": 172586,
        "accession_number": "2015.72",
        "share_license_status": "CC0",
        "tombstone": "Shrine Figure (Ikenga), possibly early 1900s. Africa, West Africa, Nigeria, Igbo carver. Wood, organic materials, and raffia; overall: 74.5 x 18 x 20 cm (29 5/16 x 7 1/16 x 7 7/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2015.72",
        "current_location": null,
        "title": "Shrine Figure (Ikenga)",
        "creation_date": "possibly early 1900s",
        "creation_date_earliest": 1900,
        "creation_date_latest": 1925,
        "artists_tags": [],
        "culture": [
            "Africa, West Africa, Nigeria, Igbo carver"
        ],
        "technique": "Wood, organic materials, and raffia",
        "support_materials": [],
        "department": "African Art",
        "collection": "African Art",
        "type": "Sculpture",
        "measurements": "Overall: 74.5 x 18 x 20 cm (29 5/16 x 7 1/16 x 7 7/8 in.)",
        "dimensions": {
            "overall": {
                "height": 0.745,
                "height_inch": 29,
                "height_inch_fraction": 0.3125,
                "width": 0.18,
                "width_inch": 7,
                "width_inch_fraction": 0.0625,
                "depth": 0.2,
                "depth_inch": 7,
                "depth_inch_fraction": 0.875
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 412365,
                    "title": "The Language of Beauty in African Art",
                    "description": "<i>The Language of Beauty in African Art</i>. Kimbell Art Museum, Fort Worth, TX (April 3-July 31, 2022) https://kimbellart.org/exhibition/language-beauty-african-art; The Art Institute of Chicago, Chicago, IL (organizer) (November 20, 2022-February 27, 2023) https://www.artic.edu/exhibitions/9344/the-language-of-beauty-in-african-art.",
                    "opening_date": "2022-04-03T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Kunsthaus Zurich, 1970-71: Elsy Leuzinger, \"Die Kunst von Schwarz-Afrika\"",
                    "opening_date": "1970-01-01T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Jacques Kerchache, Paris, France (probably by field-collection in Nigeria (Biafra), at the end of the Nigerian Civil War, in 1968 or 1969)",
                "citations": [],
                "footnotes": [],
                "date": "1968, 1969, or 1970-2001",
                "sortorder": 1
            },
            {
                "description": "Anne Kerchache, Paris, France by inheritance",
                "citations": [],
                "footnotes": [],
                "date": "2001-2010",
                "sortorder": 2
            },
            {
                "description": "(Pierre Berg\u00e9 & Associ\u00e9s, Paris, France, \u201cCollection Anne et Jacques Kerchache\u201d Lot 132 - sold June 13, 2010)",
                "citations": [],
                "footnotes": [],
                "date": "2010",
                "sortorder": 3
            },
            {
                "description": "Steven Morris, New York/Michigan, sold to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": [],
                "date": "2010-2016",
                "sortorder": 4
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "2016-",
                "sortorder": 5
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "This figure associated with achievement and success would have received prayers and sacrifices in return for the guidance of ancestors.",
        "description": "This seated figure of a man holding a cutlass and an inverted human skull is a cult object called<em> ikenga</em>, associated with achievement and success. Standing at the center of a man\u2019s personal shrine, the sculpture receives prayers and sacrifices in return for the ancestors\u2019 guidance. An elaborate headdress comprising two horn-like extensions reinforces the cult\u2019s preoccupation with masculinity, while facial incisions known as <em>ichi</em> refer to membership in one of many male associations.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60758051"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-2015.72-shrine-figure-ikenga"
            ]
        },
        "citations": [
            {
                "citation": "Kunsthaus Zu\u0308rich, and Elsy Leuzinger. 1970. <em>Die Kunst Von Schwarz-Afrika : [Ausstellung: Kunsthaus Zu\u0308rich] 31. Oktober 1970-17. Januar 1971</em>. Recklinghausen: Verlag Aurel Bongers, fig. M9.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Jacques Kerchache et al., L'art africain (Paris: Citadelles &amp; Mazenod, 1988), fig. 930",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Pierre Berg\u00e9 &amp; associ\u00e9s, Paris (auction house), Collection Anne &amp; Jacques Kerchache, 13 June 2010, lot 322",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Meier, Prita, Raymond Aaron Silverman, Andrew W Gurstelle, and University of Michigan Museum of Art. 2012. <em>African Art and the Shape of Time</em>. Ann Arbor: Regents of the University of Michigan, pl. 9.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Herbert M. Cole, Igbo (Milan: 5 Continents Editions, 2013), pl. 9",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art. <em>Museum Masters: 2016-17 Companion Guide.</em> [Cleveland, Ohio]: Cleveland Museum of Art, 2016.",
                "page_number": "Mentioned and reproduced: P. 81",
                "url": ""
            },
            {
                "citation": "Petridis, Constantine. \"Acquisitions 2015: African Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 2 (March/April 2016): 31.",
                "page_number": "Reproduced and Mentioned: p. 31",
                "url": "https://archive.org/details/CMAMM2016-02"
            },
            {
                "citation": "Cole, Herbert M. <em>Igbo</em>. Milan : 5 Continents Editions, 2013.",
                "page_number": "Mentioned: p. 24, p. 26; reproduced: p. 131, pl. 9",
                "url": null
            },
            {
                "citation": "Rondeau, James, Constantijn Petridis, Yae\u0308lle Biro, Herbert M. Cole, Kassim Kone, Babatunde Lawal, Wilfried Van Damme, and Susan Mullin Vogel. <em>The language of beauty in African art. </em>2022.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "\"The Language of Beauty in African Art.\"<em> Kimbell Art Museum Members' Guide</em> (March\u2013September 2022): 2-7.",
                "page_number": "Reproduced:  P. 5",
                "url": ""
            }
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        "updated_at": "2026-05-29 08:50:28.898000"
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