{
    "data": {
        "id": 291572,
        "accession_number": "2016.283",
        "share_license_status": "Copyrighted",
        "tombstone": "Through the slats of the boardwalk above, the sun shines upon the figures below, and self-imposed laws operate to segregate the people at this great city beach, Coney Island, NY, 1963. Leonard Freed (American, 1929\u20132006). Vintage gelatin silver print; image: 20.1 x 13.3 cm (7 15/16 x 5 1/4 in.); paper: 25.2 x 20.2 cm (9 15/16 x 7 15/16 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2016.283. \u00a9 Leonard Freed /Magnum Photos",
        "current_location": null,
        "title": "Through the slats of the boardwalk above, the sun shines upon the figures below, and self-imposed laws operate to segregate the people at this great city beach, Coney Island, NY",
        "creation_date": "1963",
        "creation_date_earliest": 1963,
        "creation_date_latest": 1963,
        "artists_tags": [
            "Jewish artists",
            "male"
        ],
        "culture": [
            "America"
        ],
        "technique": "vintage gelatin silver print",
        "support_materials": [],
        "department": "Photography",
        "collection": "PH - American 1951-Present",
        "type": "Photograph",
        "measurements": "Image: 20.1 x 13.3 cm (7 15/16 x 5 1/4 in.); Paper: 25.2 x 20.2 cm (9 15/16 x 7 15/16 in.)",
        "dimensions": {
            "image": {
                "height": 0.201,
                "height_inch": 7,
                "height_inch_fraction": 0.9375,
                "width": 0.133,
                "width_inch": 5,
                "width_inch_fraction": 0.25
            },
            "paper": {
                "height": 0.252,
                "height_inch": 9,
                "height_inch_fraction": 0.9375,
                "width": 0.202,
                "width_inch": 7,
                "width_inch_fraction": 0.9375
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": "\u00a9 Leonard Freed /Magnum Photos",
        "inscriptions": [
            {
                "inscription": "Written in pencil on verso: \u201cLFBWA-59.3/7500\u201d\nWritten in pencil on verso: \u201cNEW YORK\u201d\nImprinted in black type on white adhesive label on verso: \u201cN.Y.C. BROOKLYN/CONEY ISLAND #2\u201d\nImprinted in black type on white adhesive label on verso: \u201cMagnum Photos, Inc. \u00a9 1996 [crossed out in pencil] 1963 [written in pencil] Leonard Freed/[bar code]/LEI 03FRL004+001 [crossed out in pencil] = OLD # [written in pencil]/NYC. Coney Island-under the boardwalk./VINTAGE PRINT\u201d\nWritten in black ink on verso: \u201c63578 [partially obscured by white adhesive label]\u201d\nImprinted in black type on white paper label on verso: \u201cMAGNUM/72 West 45 Street, New York, New York 10036/LEONARD FREED USA 1963 [written in pencil]/at the Conney Island Beach in/New York-under the board walk/O 51-33 [crossed out in pencil] = OLD # [written in pencil]\u201d\nWritten in pencil on verso: \u201c63-5-21-33\u201d\nWritten in black ink on white adhesive label on verso: \u201c90326 DIB\u201d\nImprinted in black type on white adhesive label on verso: \u201cNOTICE/Photographs must be credited to the photographer and/MAGNUM PHTOOS. Photographs may not be cropped/or altered in any way without prior written approval by/MAGNUM PHOTOS. Photographs consigned by/MAGNUM PHOTOS for your possible use may not be/scanned without the express written permission of/MAGNUM PHOTOS./VIOLATION OF THESE POLICIES WILL RESULT IN/FINES AT A MINIMUM OF 100% OF THE USAGE FEE.\u201d\nWritten in pencil on verso: \u201cLeonard Freed (signed)\u201d\nStamped in black ink on verso: \u201c\u00a9 Leonard Freed-Magnum\u201d\nWritten in pencil on verso: \u201cBook: Black/in White Ame-/rica p.59/1963 Coney Island, NY USA\u201d",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 292784,
                    "title": "Black in America: Louis Draper and Leonard Freed",
                    "description": "<i>Black in America: Louis Draper and Leonard Freed</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 26-July 30, 2017).",
                    "opening_date": "2017-02-26T05:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "description": null,
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79871077"
            ],
            "internet_archive": []
        },
        "citations": [],
        "url": "https://clevelandart.org/art/2016.283",
        "images": {},
        "alternate_images": [],
        "creditline": "Gift of Michael Mattis and Judith Hochberg",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 291572,
        "creators": [
            {
                "id": 64197,
                "description": "Leonard Freed (American, 1929\u20132006)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929\u20132006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed\u2019s photographs in this exhibition are from<em> Black in White America, </em>a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published <em>Black in White America</em> in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that \u201cphotography is about who you are. It\u2019s the seeking of truth in relation to yourself.\u201d",
                "name_in_original_language": null,
                "birth_year": "1929",
                "death_year": "2006",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2016-12-05T00:00:00-05:00",
        "sortable_date": 1963,
        "date_added_to_oa": null,
        "date_text": "1963",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-01 06:53:44.616000"
    }
}