{
"data": {
"id": 291575,
"accession_number": "2016.286",
"share_license_status": "Copyrighted",
"tombstone": "People hang out on stoop in front of apartment building, Harlem, New York City, 1963. Leonard Freed (American, 1929\u20132006). Vintage gelatin silver print; image: 24.7 x 16.5 cm (9 3/4 x 6 1/2 in.); paper: 25.2 x 20.2 cm (9 15/16 x 7 15/16 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2016.286. \u00a9 Leonard Freed /Magnum Photos",
"current_location": null,
"title": "People hang out on stoop in front of apartment building, Harlem, New York City",
"creation_date": "1963",
"creation_date_earliest": 1963,
"creation_date_latest": 1963,
"artists_tags": [
"male",
"Jewish artists"
],
"culture": [
"America"
],
"technique": "vintage gelatin silver print",
"support_materials": [],
"department": "Photography",
"collection": "PH - American 1951-Present",
"type": "Photograph",
"measurements": "Image: 24.7 x 16.5 cm (9 3/4 x 6 1/2 in.); Paper: 25.2 x 20.2 cm (9 15/16 x 7 15/16 in.)",
"dimensions": {
"image": {
"height": 0.247,
"width": 0.165
},
"paper": {
"height": 0.252,
"width": 0.202
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": "\u00a9 Leonard Freed /Magnum Photos",
"inscriptions": [
{
"inscription": "Written in red ink in margin on recto: \u201cF18 3-3\u201d\nNumerous inscriptions and stamps located on verso. Some are obscured by adhesive labels. \nWritten in pencil on verso: \u201cLFBWA-92/7500\u201d\nWritten in pencil on verso: \u201c63 [circled and scribbled out in pencil]\u201d\nWritten in blue marker on verso: \u201cNew York City\u201d\nImprinted in black type on white adhesive label on verso: \u201cN.Y.C. HARLEM #2/LEONARD FREED\u201d\nImprinted in black type on white adhesive label on verso: \u201c\u00a9 Leonard Freed/Magnum Photos, Inc.\u201d\nImprinted in black type on white adhesive label on verso: \u201ccons. #86700/KEIKO MORRIS\u201d\nWritten in pencil on verso: \u201cCamera 5\u201d\nWritten in black conte crayon: \u201cFig 3-3 82% [illegible] page 59\u201d\nStamped in black ink on verso, partially obscured by white adhesive label: \u201cMAGNUM/PHOTO LIBRARY PRINT/NEW YORK./[multiple sets of numbers scratched out, illegible]/LOG REF:/TO BE RETURNED\u201d\nWritten in pencil on verso: \u201c71630\u201d\nWritten in pencil on verso: \u201c28503 [crossed out in pencil]\u201d\nWritten in pencil on verso: \u201cFig 3-3\u201d\nWritten in pencil on verso: \u201cHarlem\u201d\nStamped in black ink on verso: \u201cPRINTED BY/BRIGITTE FREED/BETWEEN 1957/AND 1975\u201d\nWritten in pencil on verso: \u201c75987\u201d\nWritten in pencil on verso: \u201c61159\u201d\nStamped in black ink on verso: \u201c52386\u201d\nWritten in pencil on verso: \u201cLeonard Freed (signed)\u201d\nStamped in black ink on verso: \u201c\u00a9 Leonard Freed-Magnum\u201d\nStamped in blue ink on verso: \u201c\u00a9 LEONARD FREED\u201d\nWritten in pencil on verso: \u201c63-5-17-34\u201d\nStamped in black ink on verso: \u201cVINTAGE PRINT\u201d\nImprinted in black type on white adhesive label on verso: \u201cCONS#89860\u201d\nStamped in blue ink on verso: \u201cThis photograph may only be reproduced/for review purposes in connection with/the photographic exhibit \u201cTHE CONCERNED/PHOTOGRAPHER\u201d Copyright \u00a9 1967\u201d\nWritten in pencil on verso: \u201c1963 Harlem, N.Y., USA-Book: Black in White America p94\u201d\nImprinted in black type on white adhesive label on verso: \u201cNOTICE/Photographs must be credited to the photographer and/MAGNUM PHOTOS. Photographs may not be cropped/or altered in any way without prior written approval by/MAGNUM PHOTOS. Photographs consigned by/MAGNUM PHOTOS for your possible use may not be/scanned without the express written permission of/MAGNUM PHOTOS./VIOLATION OF THESE POLICIES WILL RESULT IN/FINES AT A MINIMUM of 100% OF THE USAGE FEE.\u201d",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 292784,
"title": "Black in America: Louis Draper and Leonard Freed",
"description": "Black in America: Louis Draper and Leonard Freed. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 26-July 30, 2017).",
"opening_date": "2017-02-26T05:00:00"
}
],
"legacy": []
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79871085"
],
"internet_archive": []
},
"citations": [],
"url": "https://clevelandart.org/art/2016.286",
"images": {},
"alternate_images": [],
"creditline": "Gift of Michael Mattis and Judith Hochberg",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 291575,
"creators": [
{
"id": 64197,
"description": "Leonard Freed (American, 1929\u20132006)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929\u20132006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed\u2019s photographs in this exhibition are from Black in White America, a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published Black in White America in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that \u201cphotography is about who you are. It\u2019s the seeking of truth in relation to yourself.\u201d",
"name_in_original_language": null,
"birth_year": "1929",
"death_year": "2006",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "2016-12-05T00:00:00-05:00",
"sortable_date": 1963,
"date_added_to_oa": null,
"date_text": "1963",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-03-27 00:07:51.577000"
}
}