id: 291576
accession number: 2016.287
share license status: Copyrighted
url: https://clevelandart.org/art/2016.287
updated: 2024-03-26 02:01:52.578000
The Stoop, Harlem, New York City, 1963. Leonard Freed (American, 1929–2006). Vintage gelatin silver print; image: 24.2 x 16 cm (9 1/2 x 6 5/16 in.); paper: 25.2 x 20.3 cm (9 15/16 x 8 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg 2016.287 © Leonard Freed /Magnum Photos
title: The Stoop, Harlem, New York City
title in original language:
series:
series in original language:
creation date: 1963
creation date earliest: 1963
creation date latest: 1963
current location:
creditline: Gift of Michael Mattis and Judith Hochberg
copyright: © Leonard Freed /Magnum Photos
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culture: America
technique: vintage gelatin silver print
department: Photography
collection: PH - American 1951-Present
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Leonard Freed (American, 1929–2006) - artist
Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929–2006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed’s photographs in this exhibition are from Black in White America, a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published Black in White America in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that “photography is about who you are. It’s the seeking of truth in relation to yourself.”
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measurements: Image: 24.2 x 16 cm (9 1/2 x 6 5/16 in.); Paper: 25.2 x 20.3 cm (9 15/16 x 8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Written in pencil on verso: “LFBWA-95.1 7500”
Written in black ink on verso: “EMOTIONS”
Imprinted in black type on white adhesive label on verso: “EMOTIONS/CONFRONTATIONS (ANGER)”
Imprinted in black type on white adhesive label on verso: “EMOTIONS/Confrontations”
Written in black marker on verso: “EMO:81”
Written in pencil on verso: “76176”
Written in pencil on verso: “109#/37065”
Stamped in black ink on verso: “Photograph By/Leonard Freed/© MAGNUM PHOTOS, INC./251 PARK AVE.SOUTH N.Y. 10010 TEL. 475-7600”
Written in black ink on verso: “663-3-8/7”
Stamped in black ink on verso: “52267 51355”
Written in pencil on verso: “54685”
Written in pencil on verso: “69/8/7”
Stamped in black ink on verso: “MAGNUM/PHOTO LIBRARY PRINT/NEW YORK./45075 [written in pencil and crossed out]/LOG REF. 47216 [written in pencil]/TO BE RETURNED”
Written in pencil on verso: “UNIQUE”
Written in pencil on verso: “1963 Harlem, NY, USA/Book: Black in White America p. 95”
Written in pencil on verso: “Leonard Freed (signed)”
Stamped in black ink on verso: “© Leonard Freed-Magnum”
translation:
remark:
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CURRENT EXHIBITIONS
title: Black in America: Louis Draper and Leonard Freed
opening date: 2017-02-26T05:00:00
Black in America: Louis Draper and Leonard Freed. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 26-July 30, 2017).
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
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