{
    "data": {
        "id": 291579,
        "accession_number": "2016.290",
        "share_license_status": "Copyrighted",
        "tombstone": "The little church \"The Moving Star Hall\" on Johns Island, South Carolina, 1964. Leonard Freed (American, 1929\u20132006). Vintage gelatin silver print; image: 16.1 x 24 cm (6 5/16 x 9 7/16 in.); paper: 20 x 25.2 cm (7 7/8 x 9 15/16 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2016.290. \u00a9 Leonard Freed /Magnum Photos",
        "current_location": null,
        "title": "The little church \"The Moving Star Hall\" on Johns Island, South Carolina",
        "creation_date": "1964",
        "creation_date_earliest": 1964,
        "creation_date_latest": 1964,
        "artists_tags": [
            "Jewish artists",
            "male"
        ],
        "culture": [
            "America"
        ],
        "technique": "vintage gelatin silver print",
        "support_materials": [],
        "department": "Photography",
        "collection": "PH - American 1951-Present",
        "type": "Photograph",
        "measurements": "Image: 16.1 x 24 cm (6 5/16 x 9 7/16 in.); Paper: 20 x 25.2 cm (7 7/8 x 9 15/16 in.)",
        "dimensions": {
            "image": {
                "height": 0.161,
                "height_inch": 6,
                "height_inch_fraction": 0.3125,
                "width": 0.24,
                "width_inch": 9,
                "width_inch_fraction": 0.4375
            },
            "paper": {
                "height": 0.2,
                "height_inch": 7,
                "height_inch_fraction": 0.875,
                "width": 0.252,
                "width_inch": 9,
                "width_inch_fraction": 0.9375
            },
            "No Extent Specified": {},
            "mat size": {
                "height": 0.356,
                "height_inch": 14,
                "height_inch_fraction": 0.0,
                "width": 0.457,
                "width_inch": 18,
                "width_inch_fraction": 0.0
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": "\u00a9 Leonard Freed /Magnum Photos",
        "inscriptions": [
            {
                "inscription": "Written in purple marker on verso: \u201c10 [crossed out in black marker]\u201d\nWritten in pencil on verso: \u201cLFBWA-210/6000 pg 16\u201d\nWritten in black marker on verso: \u201cU.S.A. 5.2.\u201d\nImprinted in black type on white paper label on verso: \u201cMAGNUM/72 West 46 Street, New York, New York 10036/LEONARD FREED USA 1964 [written in pencil]/The little church \u201cThe Moving Star/Hall\u201d on Johns Island, South Carolina./photo from the book: Leonard Freed/\u201dblack in white america.\u201d/R173 36 [crossed out in pencil] OLD # [written in pencil]/63-17-2-37 [written in pencil]\u201d\nWritten in black marker on verso: \u201c63.17.2.37 p16\u201d\nStamped in black ink on verso: \u201c30 [crossed out in blue marker]\u201d\nWritten in pencil on verso: \u201cR17B/36A\u201d\nWritten in pencil on verso: \u201c1964 Vintage/Print/1964 South Carolina/USA\u201d\nStamped in blue ink on verso: \u201cTIRAGE ARCHIVE MAGNUM PHOTOS/5, PASSAGE PIVER 75001 PARIS/EPREUVE A RENDRE/MAGNUM PARIS LIBRARY/PRINT TO BE RETURNED\u201d\nStamped in black ink on verso: \u201cVINTAGE PRINT\u201d\nWritten in pencil on verso: \u201cLeonard Freed (signed)\u201d\nStamped in black ink on verso: \u201c\u00a9 Leonard Freed-Magnum\u201d\nWritten in pencil on verso: \u201cBook: Black in White America\u201d",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": null,
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79871095"
            ],
            "internet_archive": []
        },
        "citations": [],
        "url": "https://clevelandart.org/art/2016.290",
        "images": {},
        "alternate_images": [],
        "creditline": "Gift of Michael Mattis and Judith Hochberg",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 291579,
        "creators": [
            {
                "id": 64197,
                "description": "Leonard Freed (American, 1929\u20132006)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929\u20132006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed\u2019s photographs in this exhibition are from<em> Black in White America, </em>a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published <em>Black in White America</em> in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that \u201cphotography is about who you are. It\u2019s the seeking of truth in relation to yourself.\u201d",
                "name_in_original_language": null,
                "birth_year": "1929",
                "death_year": "2006",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2016-12-05T00:00:00-05:00",
        "sortable_date": 1964,
        "date_added_to_oa": null,
        "date_text": "1964",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-01 06:53:44.673000"
    }
}