id:			284720
accession number:	2016.305
share license status:	Copyrighted
url:			https://clevelandart.org/art/2016.305
updated:		2023-01-11 23:26:07.136000

Deep Mountain Stream, 2001. Minol Araki (Japanese, 1928–2010). Ink on paper (unmounted); overall: 46.7 x 61.8 cm (18 3/8 x 24 5/16 in.). The Cleveland Museum of Art, Gift of David Tausig Frank and Kazukuni Sugiyama 2016.305

title:				Deep Mountain Stream
title in original language:	
series:				
series in original language:	
creation date:			2001
creation date earliest:		2001
creation date latest:		2001
current location:		
creditline:			Gift of David Tausig Frank and Kazukuni Sugiyama
copyright:			

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culture:	Japan, Heisei period (1989-2019)
technique:	Ink on paper (unmounted)
department:	Japanese Art
collection:	ASIAN - Hanging scroll
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Minol Araki (Japanese, 1928–2010)  - artist

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measurements: Overall: 46.7 x 61.8 cm (18 3/8 x 24 5/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	實  
'01
	translation:	
	remark:		

	inscription:	荒木實
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	David Tausig Frank and Kazukuni Sugiyama, Santa Fe, NM, given to the Cleveland Museum of Art
	date: -2016
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 2016-
	footnotes: 	
	citations: 	


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fun fact:


digital description:
This abstracted ink landscape, with its dramatic mountain stream, is captured with a bird’s-eye view. It was produced late in the career of the artist, whose oeuvre includes landscapes, bird-and-flower and figure paintings in ink and sometimes bright colors. An industrial designer by profession, Araki’s landscapes reveal his personal devotion to traditional Chinese brush methods, learned first as a youth in China, and later through emulation of famed painter Zhang Daqian (1899–1983) in Taiwan.

wall description:
This abstracted ink landscape, with its dramatic mountain stream, is captured with a bird’s-eye view. It was produced late in the career of Araki Minoru, whose oeuvre includes landscapes, bird-and-flower and figure paintings in ink and sometimes bright colors. An industrial designer by profession, Araki’s landscapes reveal his personal devotion to traditional Chinese brush methods, learned first as a youth in China, and later under the tutelage of famed painter Zhang Daqian (1899–1983) in Taiwan.
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