id: 86260 accession number: 2016.432 share license status: Copyrighted url: https://clevelandart.org/art/2016.432 updated: 2024-03-26 01:55:56.407000 Father and son bonding in the gym; lifting weights, Chicago, IL, 1970. Leonard Freed (American, 1929–2006). Gelatin silver print; image: 16 x 23.9 cm (6 5/16 x 9 7/16 in.); paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos 2016.432 © Leonard Freed /Magnum Photos title: Father and son bonding in the gym; lifting weights, Chicago, IL title in original language: series: series in original language: creation date: 1970 creation date earliest: 1970 creation date latest: 1970 current location: creditline: Gift of George Stephanopoulos copyright: © Leonard Freed /Magnum Photos --- culture: America, 20th century technique: gelatin silver print department: Photography collection: PH - American 1951-Present type: Photograph find spot: catalogue raisonne: --- CREATORS * Leonard Freed (American, 1929–2006) - artist Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929–2006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed’s photographs in this exhibition are from Black in White America, a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published Black in White America in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that “photography is about who you are. It’s the seeking of truth in relation to yourself.” --- measurements: Image: 16 x 23.9 cm (6 5/16 x 9 7/16 in.); Paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Written in pencil on verso: “LFBWA-243 7500” Written in black ink on verso: “Family Life: Fatherhood” Imprinted on white adhesive label on verso: “Consignment #81131/RRR” Imprinted on white adhesive label on verso: “51-01 PEOPLE/FAMILY LIFE-FATHERHOOD/H. BLACK FATHER AND CHILD” Written in pencil on verso: “66094 49211 73047 59934” Written in pencil on verso: “UNIQUE” Stamped in black ink on verso: “VINTAGE PRINT” Written in pencil on verso: “1970” Written in pencil on verso: “70-3-5/5A” Written in red marker on white adhesive label on verso: “85152 CTC” Imprinted on white adhesive label on verso: “Magnum Photos, Inc. © 1970 Leonard Freed/[bar code]/FRL 70003W05/5A PAF 82FRL001+001/1970, Father and son bonding in the gym./Lifting weights.” Stamped in blue ink on verso: “MAGNUM/PHOTO LIBRARY PRINT/NEW YORK./45395 [crossed out]/LOG REF. 47187 [crossed out]/54980/TO BE RETURNED” Written in pencil on verso: “Leonard Freed (signed)” Written in red ink on verso: “P32b” Stamped in black ink on verso: “© Leonard Freed-Magnum” Imprinted on white adhesive label on verso: “9688.ZIMB.0136.bw/10.07” Stamped in brown ink on verso: “© Leonard Freed/Magnum Photos, Inc” translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES