id:			286706
accession number:	2016.56
share license status:	CC0
url:			https://clevelandart.org/art/2016.56
updated:		2023-03-20 10:12:35.114000

Ram Mask (Bolo), possibly early 1900s. Africa, West Africa, Burkina Faso, Bobo-style blacksmith-carver. Wood and paint; overall: 45 x 36 x 36 cm (17 11/16 x 14 3/16 x 14 3/16 in.). The Cleveland Museum of Art, René and Odette Delenne Collection, Leonard C. Hanna, Jr. Fund 2016.56

title:				Ram Mask (Bolo)
title in original language:	
series:				
series in original language:	
creation date:			possibly early 1900s
creation date earliest:		1900
creation date latest:		1920
current location:		108A Sub-Saharan
creditline:			René and Odette Delenne Collection, Leonard C. Hanna, Jr. Fund
copyright:			

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culture:	Africa, West Africa, Burkina Faso, Bobo-style blacksmith-carver
technique:	Wood and paint
department:	African Art
collection:	African Art
type:		Mask
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 45 x 36 x 36 cm (17 11/16 x 14 3/16 x 14 3/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Art d’Afrique dans les collections belges
	opening date:   1963-06-29T04:00:00
	<i>Art d’Afrique dans les collections belges</i>. Royal Museum for Central Africa (June 29-October 30, 1963).

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LEGACY EXHIBITIONS

* Kunsthaus Zürich, Zürich, Switzerland (October 31, 1970 - February 10, 1971)

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PROVENANCE

	Jeanne Raguin, Golfe-Juan, France, sold to René and Odette Delenne
	date: ?–1962
	footnotes: 	
	citations: 	


	René [1901-1998] and Odette Delenne [1925-2012], Brussels, Belgium, sold to the Cleveland Museum of Art
	date: 1962–2016
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 2016–
	footnotes: 	
	citations: 	


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fun fact:
The mask was vividly painted while in use. Look closely at its surface to see traces of blue, red, and white paint.

digital description:
Bolo masks are primarily danced for entertainment during communal occasions like funerals, male initiations, and harvest celebrations. Comprising both animal and human features, the mask––always worn by a male dancer––refers to the cultural significance of the ram, an animal associated with male aggression across sub-Saharan Africa.

wall description:
Bolo masks are primarily danced for entertainment during communal occasions like funerals, male initiations, and harvest celebrations. Comprising both animal and human features, the mask––always worn by a male dancer––refers to the cultural significance of the ram, an animal associated with male aggression across sub-Saharan Africa.
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RELATED WORKS

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CITATIONS

	Maesen, Alebert, et al. <em>Art d’Afrique dans les collections belges</em>, cat. 21. Exh. Cat. Tervuren: Royal Museum for Central Africa, June 29-October 30, 1963.
	page number: 	cat. 21
	url:		

	Leuzinger, Elsy. <em>Die Kunst von Schwarz-Afrika</em>, cat. C6. Exh. Cat. Recklinghausen: Verlag Aurel Bongers, in association with Kunsthaus Zürich, October 31, 1970-February 10, 1971.
	page number: 	cat. C6
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2016.56/2016.56_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2016.56/2016.56_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2016.56/2016.56_full.tif