id:			301058
accession number:	2017.110
share license status:	Copyrighted
url:			https://clevelandart.org/art/2017.110
updated:		2024-03-26 02:01:55.801000

Stateless 2014-2015, 2014–15. Gohar Dashti (Iranian, b. 1980). Portfolio of eight archival pigment prints; overall: 61.5 x 44.5 cm (24 3/16 x 17 1/2 in.). The Cleveland Museum of Art, Purchased with funds donated by Amy and Neil Viny 2017.110 © Gohar Dashti

title:				Stateless 2014-2015
title in original language:	
series:				
series in original language:	
creation date:			2014–15
creation date earliest:		2014
creation date latest:		2015
current location:		
creditline:			Purchased with funds donated by Amy and Neil Viny
copyright:			© Gohar Dashti

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culture:	Iran
technique:	Portfolio of eight archival pigment prints
department:	Photography
collection:	PH - Misc. 21st Century
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Gohar Dashti (Iranian, b. 1980) 

* Robert Klein Gallery  - publisher

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measurements: Overall: 61.5 x 44.5 cm (24 3/16 x 17 1/2 in.)
state of the work:	
edition of the work: 	Edition of 20

support materials:


inscriptions:

	inscription:	Embossed in gold print on cover: “STATELESS/2014-2015/PHOTOGRAPHS BY/GOHAR DASHTI”
	translation:	
	remark:		

	inscription:	Imprinted in black type on white paper: “STATELESS/2014-2015/PHOTOGRAPHS BY/GOHAR DASHTI/BOSTON-MILANO-TEHRAN/2016”
	translation:	
	remark:		

	inscription:	Imprinted in black type on white paper: “STATELESS 2014-2015/is published in a signed limited edition of twenty copies by Ars Libri Ltd./Photographs © 2016 by Gohar Dashti/Portfolio number 5 (written in black ink) of 20/BOSTON/ROBERT KLEIN GALLERY IN ASSOCIATION WITH AZITA BINA-SEIBLE & ARTS LIBRI LTD./MILANO/OFFICINE DELL’IMMAGINE GALLERIA/TEHRAN/MOHSEN GALLERY”
	translation:	
	remark:		

	inscription:	Imprinted in black type on white paper: “STATELESS/2014-2015/In every corner of the world, devestations of war, massacres, oppress-/sion, disease, and death are the causes of widespread human disorders/with no imaginable ending. When disasters force people to migrate,/where will they be welcomed with open arms? Hoping for a better/life, they struggle in a never-ending limbo, an in-between space that/strips them of their known identity. Maybe at this point, Nature is the/sole safe haven for these refugees. The sky becomes the ceiling and the/mountains become the walls of their new homes, because Nature is/the only place that promises shelter, an eternal and everlasting refuge./GOHAR DASHTI”
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

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fun fact:


digital description:


wall description:

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